Creating a Makaton Mass
A composition for unison voices and piano to be sung and signed using Makaton
Bibliographic Data
| ID | 15555502 |
|---|---|
| Authors | Olivia Sparkhall (University of Wales Trinity Saint David, corresponding author) |
| Year | 2022 |
| Volume | 15 |
| Issue | 1 |
| Pages | 95-111 |
| Publication date | 2022-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Community Music (JOURNAL) |
| Journal identifiers | ISSN: 1752-6302 • E-ISSN: 1752-6299 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/ijcm_00053_1 |
| OpenAlex | W4221046145 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
This article charts the composition of the Multitude of Voyces’ Makaton Mass, commissioned by Multitude of Voyces. This is the first Mass of its kind, devised to be simultaneously sung and signed using the communication programme Makaton. In this article, I propose that to be inclusive, music for worship needs to be all-embracing: straight-forward, but not simplistic, and easily memorable without being twee. Opportunity for congregational participation for both those with special educational needs and disability (SEND) and those without is at the heart of a successful composition of this sort
Acoustics · Arithmetic · Art · Art history · Composition (language · Epistemology · Literature · Multitude · Physics · Piano · Sociology · sort · Unison · Visual arts · Communication · Computer Science · Mathematics · Music Therapy and Health · Pentecostalism and Christianity Studies · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |