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From the Medieval ḫarğāt to Contemporary Songs

Patterns of Codeswitching Involving Arabic1

Bibliographic Data

ID16645675
AuthorsEirlys E Davies (Abdelmalek Essaâdi University, corresponding author), Abdelâli Bentahila (1 Abdelmalek Essaadi University Tangier Morocco)
Year2014
Volume61
Issue1-2
Pages18-68
Publication date2014-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueArabica (JOURNAL)
Journal identifiersISSN: 0570-5398 • E-ISSN: 1570-0585
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/15700585-12341286
OpenAlexW2085980482
LanguageEN
References cited10

This paper seeks to use evidence from contemporary language use to shed light on that of an earlier period. It examines a set of ḫarğāt , the closing sections of medieval Andalusian muwaššaḥ poems, which exhibit codeswitching between colloquial Andalusian Arabic and Romance, and compares the patterns of switching seen there with those used in some contemporary popular songs, in particular the Arabic-French switching used in the rai lyrics of North Africa. On the basis of the parallels and contrasts observed, some remarks are made about what the language of these ḫarğāt suggests about their origins and authors

Aesthetics · Arabic · Art · Closing (real estate · Humanities · Linguistics · Literature · Lyrics · Parallels · Period (music · Poetry · Political science · Romance · Set (abstract data type · Computer Science · Historical and Linguistic Studies · Historical Linguistics and Language Studies · History · Language, Linguistics, Cultural Analysis · Philosophy

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    Open Access•Jane H Hill•Pragmatics Quarterly Publication…•1995

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    Alan S Kaye, Kees Versteegh•Journal of the American Oriental…•2000

  • Code-switching and dialogism

    Open Access•Joan A Argenter•Language in Society•2001

  • Constraints on Language Mixing

    Carol W Pfaff•Language•1979

Citation velocityhistorical
Highly citedNo

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