Photography between Desire and Grief
Roland Barthes and F. Holland Day
Bibliographic Data
| ID | 20074975 |
|---|---|
| Authors | Shawn Michelle Smith (0000-0003-3556-989X, corresponding author) |
| Year | 2014 |
| Pages | 29-46 |
| Publication date | 2014-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | Feeling Photography (SOURCE_BOOK) |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/9780822377313-002 |
| OpenAlex | W3082880058 |
| ISBN | 9780822377313 |
| Language | EN |
| Citations received | 3 |
| References cited | 218 |
Aesthetics · Art · Art history · Grief · Photography · Psychoanalysis · Psychotherapist · Visual arts · Geographies of human-animal interactions · Photography and Visual Culture · Psychology · Visual Culture and Art Theory
Cheap Amusements
Documentary expression and thirties America.
In struggle
Cultures of letters
Russian formalist criticism
In the break
How To Win Friends And Influence People
Marxism and literature
Feminine Fascinations
Suspect Identities
A Sense of Things
The Burden of Representation
Photographs Objects Histories
Spatial Formations
Feeling in Theory
Thinking Photography
Empathic Vision
Rights of Passage
How the other half lives
Human Rights In Camera
The Cultural Politics of Emotion
A Dialogue on Racial Melancholia
On the Invention of Photographic Meaning
The Age of the World Picture
Futures Past
Modernity at large
Space and place
Sensational designs
The Birth of the Clinic
Ghostly Matters
Divinity
Carnal Thoughts
Gods in the Bazaar
Essentially Chinese
The Modern Girl Around the World
The Cruel Radiance
Sambo
Cruel Optimism
Queer/Early/Modern
Notes from the Surface of the Image
Postcolonial Melancholia
A Rupture in the Field of Representation
Making Connections with the Camera
Suturing the Mother
Without Criteria
Space, time and Perversion
Beautiful Democracy
The Philadelphia Negro
The Language of the Self
How New York Became American, 1890–1924
New Thoughts on the Black Arts Movement
Mixed Feelings
Natives and Newcomers
Black, White, and in Color
Playing the Race Card
Female Masculinity
An Introduction to Visual Culture
Impossible Subjects
The Affective Turn
Ordinary Affects
The Queen of America Goes to Washington City
A Spectacular Secret
Love and Theft
Unclaimed Experience
Modernity and the Hegemony of Vision
Ana Mendieta
Lesbian Art in America
Art, Affect, and the “Bad Death”
The Expression of the Emotions in Man and Animals
Refracted Visions
The Order of Things
The Promise of Happiness
The Female Complaint
Seeing through Race
Rudeness and Civility
A Singular Elegance
Decoys and Disruptions
Surviving Images
Representing “Awarishness”
Photography and human behaviour in the nineteenth century
F. Holland day
Aesthetics at the Limits of the Nation
Love-Love. Ni-Ni
De Meyer at Vogue
Rites of Return
Absent Images of Memory
Unravelling Foucault’s ‘different spaces’
Reading lessons
Public Sentiments
Je Vous
Notes on Surface
The Serial Spaces of Ana Mendieta
Advertising the American Dream
I've Got the Light of Freedom
Say Cheese! The Revolution in the Aesthetics of Smiles
Symbols of Ideal Life
Reframing Abstract Expressionism
Racechanges
Reading American Photographs
The Drama of Color
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,27 |
| Citation span | 2015 - 2020 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |