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Methodology for Creating Graphic Marks Based on Cultural Iconography

An Application to Quito, a Unesco World Heritage Site (Ecuador)

Bibliographic Data

ID21216201
AuthorsIngrid Ninoshka Ruiz-Ruiz (0000-0001-8772-3209), María Dolores TERUEL-SERRANO
Year2025
Volume62
Issue4
Pages2542-2549
Publication date2025-12-31
Open AccessYes
TypeARTICLE
VenueGeoJournal of Tourism and Geosites (JOURNAL)
Journal identifiersISSN: 2065-0817 • E-ISSN: 2065-1198
PublisherAsociatia de Geografie, Turism si Sport (PUBLISHER)
DOI10.30892/gtg.62449-1615
OpenAlexW7116920590
LanguageEN

Destination brand management has been widely explored in the scientific literature; however, the development of graphic brands for heritage destinations—grounded in cultural interpretation and visual symbolism—has received limited scholarly attention. This article proposes a protocol for constructing an identitary graphic brand tailored to UNESCO World Heritage Sites, using local cultural iconography as a key resource for communicating site identity. To achieve this, a mixedmethods approach was implemented, structured in three sequential phases. The first involved a systematic review of specialized literature in history, archaeology, and archaeoastronomy, complemented by the collection of documentary data related to the heritage site. In the second phase, fieldwork was conducted using an observational technique applied to a random sample of 150 organizations from three strategic sectors in Quito: cultural centers, tourism operators, and commercial establishments. This allowed for the identification of iconographic elements within their visual identities. The third phase consisted of in-depth interviews with organizational leaders, aimed at exploring their perceptions, branding strategies, and the symbolic use of cultural references. Findings demonstrate a strong appreciation for cultural iconography among key stakeholders, yet reveal a limited integration of these elements into institutional and commercial communication strategies. This gap highlights the need for more culturally informed branding practices. The results also offer insights into how design decisions are made in heritage contexts and the extent to which they reflect authentic local identity. This interdisciplinary framework offers a transferable model for other heritage destinations seeking to enhance their visibility and cultural relevance through meaningful and context-specific graphic branding

Cultural heritage · Cultural heritage management · Iconography · Industrial heritage · Tourism · Archaeology and Cultural Heritage · Cultural Heritage Management and Preservation · Diverse Aspects of Tourism Research

Highly citedNo

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