‘Why Were Our Yemenite Brothers Insulted?’
Love as Strong as Death as a Prequel to Mizrahi Presence in Israeli Theatre
Bibliographic Data
| ID | 21516976 |
|---|---|
| Authors | Yair Lipshitz (0000-0003-2339-4084), Naphtaly Shem-Tov, Naphtaly Shem‐Tov (0000-0001-6511-1789) |
| Year | 2024 |
| Volume | 49 |
| Issue | 1 |
| Pages | 50-69 |
| Publication date | 2024-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Theatre Research International (JOURNAL) |
| Journal identifiers | ISSN: 0307-8833 • E-ISSN: 1474-0672 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1017/s0307883323000366 |
| OpenAlex | W4392167425 |
| Language | EN |
| Citations received | 1 |
| References cited | 5 |
The article traces the production and reception of Love as Strong as Death, a dramatization of the Song of Songs that was performed in Mandatory Palestine in the years 1940–42 by a group of Yemenite Jewish actors. We argue that the tensions between the actors’ amateur status and their image as embodying a long-lost Biblical heritage were emblematic of the inherent contradictions within the hegemonic Ashkenazi Zionist discourse and the Orientalist perception of the role of Yemenite Jews in it. By exploring both Yemenite and Ashkenazi voices in and around the production, we analyse how the stage, the theatre hall and the written press all served as contested sites regarding the participation of non-European Jews in Hebrew theatre and culture. In the paper's conclusion, we demonstrate how Love as Strong as Death anticipated later debates in Israeli theatre about the place of Mizrahi Jews on stage and in the auditorium
Ancient history · Genealogy · Sociology · Gender Studies · History · Jewish and Middle Eastern Studies · Middle East and Rwanda Conflicts · Middle East Politics and Society
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |