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Spectral Realism

Cecilia Valdésas Gothic Novel

Bibliographic Data

ID2170313
AuthorsVictor Goldgel Carballo (0000-0003-4103-0583, corresponding author)
Year2018
Volume27
Issue3
Pages313-329
Publication date2018-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Latin American Cultural Studies (JOURNAL)
Journal identifiersISSN: 1356-9325 • E-ISSN: 1469-9575
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13569325.2018.1485560
OpenAlexW2895682140
LanguageEN
References cited27

Focussing on Cirilo Villaverde's canonical novel Cecilia Valdés (1882), this article explores the neglected spectral dimension of its realism. I argue that, while explicitly denying the existence of ghosts, Villaverde engages with their false but real appearance as the only way to accurately represent a world marked by the invisibilization of certain lives. I call this dimension of his writing spectral realism: a mode of representing socially produced absences that is deeply dependent on the 'world of illusions' that the realist writer claims to have left behind and, in particular, on the interweaving of Gothic tropes and Catholic imagery

Aesthetics · Art · Cognitive psychology · Critical realism (philosophy of perception · Dimension (graph theory · Illusion · Literature · Mode (computer interface · Pure mathematics · Realism · Colonialism, slavery, and trade · Computer Science · Gothic Literature and Media Analysis · Literature: history, themes, analysis · Mathematics · Philosophy · Psychology

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Citation velocityhistorical
Highly citedNo

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