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Balancing inclusivity and musical competence

Ecec teachers' motivation to teach music through a situated expectancy-value lens

Bibliographic Data

ID21717859
AuthorsThomas Nguyen (0000-0003-3014-872X, Norwegian University of Science and Technology), Thomas T Nguyen (0000-0002-1037-3068, Norwegian University of Science and Technology, corresponding author)
Year2026
Volume28
Issue3
Pages378-394
Publication date2026-05-27
Open AccessYes
TypeARTICLE
VenueMusic Education Research (JOURNAL)
Journal identifiersISSN: 1461-3808 • E-ISSN: 1469-9893
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14613808.2026.2642785
OpenAlexW7138295627
LanguageEN
References cited44

This study applies Situated Expectancy-Value Theory (SEVT) to examine how ECEC teachers' motivation to teach music is shaped through the interaction of expectancy beliefs, task values, socialisers and situated work environments. Qualitative data were collected through a collaborative seminar with focus groups, discussions, written reflections, and follow-up interviews involving in-service and pre-service teachers and music educators (N = 20). Reflexive Thematic Analysis identified three key themes: (1) expectancy for success; (2) achievement-related experience; and (3) teachers' task values. The findings indicate that music teaching is often perceived as optional, emerging from the interplay of individual motivation, situated professional support or discouragement, and broader cultural and contextual factors. This study illuminates a central tension in ECEC music education: between inclusive, low-threshold opportunities for informal music-making that reduce anxiety and perceived task difficulty, and the recognition of music as a discipline requiring the development of musical proficiency

Active listening · Early childhood education · Music education · Musical · Situated · Situated learning · Teaching method · Diverse Music Education Insights · Educational Theory and Curriculum Studies · Neuroscience and Music Perception

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