Smangaliso Ngwenya and Sbusiso Shozi
Working with Gregory Maqoma and creation as cultural cocktail
Bibliographic Data
| ID | 21763207 |
|---|---|
| Authors | Sarah Andrieu (0000-0002-1512-1679, Aix-Marseille Université), Fanny Robles (0000-0001-8372-3818, Université Côte d'Azur) |
| Year | 2021 |
| Volume | 19.1 |
| Publication date | 2021-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | E-rea (JOURNAL) |
| Journal identifiers | ISSN: 1638-1718 • E-ISSN: 1638-1718 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/erea.12820 |
| OpenAlex | W4200224223 |
| Language | EN |
Created in 2017, Cion: Requiem of Ravel’s Bolero premiered in France at the Festival de Marseille’s 2019 edition, which it opened on June 14. It was South African choreographer Gregory Maqoma’s third time at the Festival, where he came in 2011 with Southern Bound Comfort (co-created with Belgian choreographer Sidi Larbi Cherkaoui), and again in 2013 with Kudu (co-created with French musician Erik Truffaz). Cion is a choreographed adaption of the novels Ways of Dying (1995) and Cion (2007), by
Art · Business · Sociology · Comparative and World Literature · Cultural Industries and Urban Development · Diverse academic and cultural studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |