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Lei Medeiros e Albuquerque

Um artefato discursivo em seu contexto histórico

Bibliographic Data

ID21848717
AuthorsAlejandro Knaesel Arrabal (0000-0002-0927-6957), Livia Solana Pfuetzenreiter de Lima Teixeira (0000-0003-3936-8745)
Year2026
Volume36
Publication date2026-02-09
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista Ágora (JOURNAL)
Journal identifiersISSN: 1980-0096 • E-ISSN: 1980-0096
PublisherUniversidade Federal do Espirito Santo (PUBLISHER)
DOI10.47456/20253626
OpenAlexW7128422085
LanguageEN

This article addresses the issue of copyright in Brazil in the second half of the 19th century, focusing on Law No. 496, of 1 August 1898, popularly referred to as the Medeiros e Albuquerque Law. The research is based on the tools of legal historiography, particularly the premise that law is, above all, a contingent phenomenon; that is, social, political, and cultural conditions directly influence legislative production, which in turn shapes reality. Accordingly, the study seeks to clarify the factors that drove the creation of Law No. 496 of 1898 during Brazil’s monarchical-to-republican transition. Between 1850 and 1898, several personalities participated in the debate on the regulation of copyright, in a process influenced by events such as the abolition of slavery and the rise of progressive bourgeois values. Medeiros e Albuquerque experienced decisive moments for the consolidation of copyright law. His profile and career contributed to his name being associated with the law, reflecting the demands of intellectuals who defended both the cultural value of art and the economic protection of intellectual work

Bourgeoisie · Copyright law · Legislature · Premise · Brazilian cultural history and politics · Information Science and Libraries · Sociology and Education in Brazil

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
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