The Role of Film Festivals in Promoting Social Justice
Authorship, Disruption, and Innovation at the CineMigrante Film Festival (Buenos Aires, Argentina)
Bibliographic Data
| ID | 22017600 |
|---|---|
| Authors | Lidia Peralta García (0000-0003-2934-0108, Universidad de Granada), Lhoussain Simour (0000-0003-4315-5718, University of Hassan II Casablanca) |
| Year | 2024 |
| Volume | 11 |
| Issue | 2 |
| Pages | e024014 |
| Publication date | 2024-11-22 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Lusófona de Estudos Culturais (JOURNAL) |
| Journal identifiers | ISSN: 2183-0886 • E-ISSN: 2184-0458 |
| Publisher | University of Minho (PUBLISHER • PT) |
| DOI | 10.21814/rlec.5709 |
| OpenAlex | W4404703833 |
| Language | EN |
| References cited | 21 |
This paper revolves around Migration Film Festivals as a rich and interdisciplinary fertile subject of inquiry and analysis at an international scale. Its primary aim is to conduct an in-depth analysis of CineMigrante, Festival de Cine y Formación en Derechos Humanos (CineMigrante, Film Festival and Training in Human Rights), held in Buenos Aires (Argentina) since 2010. It serves as an invaluable case study for the understanding of the significance of film festivals in advancing social justice, cultivating community involvement, and championing migrant rights. Its pioneering methods and influence render it a crucial blueprint for analogous endeavors globally. The theoretical framework focuses on the concept of authorship to highlight how social innovation has a lot to do with the creativity and disruptive capacity of a film festival. A comprehensive mix of quantitative and qualitative methodologies is employed, encompassing formal content analysis of the festival catalog and detailed examination of the structural, visual, and para-visual elements present on the festival’s website, media platforms, and textual materials. The study variables under consideration include curation criteria, programming activities, interactions with the media and local community organizations, corporate image, and communication strategies. Results show that CineMigrante’s social success is based on its disruptive and innovative dynamics to reach audiences, challenge narratives, and act as a catalyst for social transformation
Art · Blueprint · Creativity · Economic Justice · Library science · Media studies · Narrative · Political science · Public relations · Sociology · Visual arts · Cultural Industries and Urban Development · Participatory Visual Research Methods
Rethinking Film Festivals in the Pandemic Era and After
Human Rights Film Festivals
Migrant Cine-Eye
Film Festivals
Toward Decolonized Film Festival Worlds
The Queer Film Festival
Chinese Film Festivals
Arts–Research Collaboration
Film Festival Yearbook 5
Film Festival Yearbook 1
Curating Africa in the Age of Film Festivals
Cinema as a common activity
| Citation velocity | historical |
|---|---|
| Highly cited | No |