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Redefining colonial identities in contemporary transnational westerns

Tracker (2010) and Black ’47 (2018)

Bibliographic Data

ID22335233
AuthorsMarek Paryż (0000-0003-1108-2892, University of Warsaw, corresponding author)
Year2022
Volume10
Issue1
Pages7-23
Publication date2022-06-01
Open AccessYes
TypeARTICLE
VenueJournal of New Zealand & Pacific Studies (JOURNAL)
Journal identifiersISSN: 2050-4039 • E-ISSN: 2050-4047
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/nzps_00089_1
OpenAlexW4281737854
LanguageEN
Citations received1
References cited3

In this article, I discuss two contemporary films that exemplify the use of the western genre for historical reassessments in varied national contexts: Tracker (2010, dir. Ian Sharp, New Zealand/UK) and Black ’47 (2018, dir. Lance Daly, Ireland). The two films employ similar plot structures, based on the motif of pursuit. In Tracker , set in the aftermath of the Boer wars, a former Boer fighter, now in New Zealand, searches for an assimilated Māori sailor who has been accused of killing a British soldier. In Black ’47 , set in Ireland at the time of the Great Famine, an Irishman who served in the British colonial army in the Middle East strives to take revenge on the landowner responsible for the death of his relatives. A mission is organized to prevent him, led by an alienated veteran of the colonial wars. Tracker and Black ’47 show that as a result of colonization various directions of mobility emerged that triggered reinventions of predefined identities within the colonizer/colonized binary. In the two films under discussion, the use of the western helps to address the problem of identity construction by exploring the experience of liminality as a factor behind the dissolution of colonial cultural hierarchies. The protagonists of Tracker and Black ’47 embody the kind of mobility that signifies lasting displacement, seen as a larger syndrome of the era of colonial empires

Aesthetics · Archaeology · Art · Colonialism · Diaspora · Ethnology · Famine · Genealogy · Liminality · Sociology · Gender Studies · History · Memory, Trauma, and Commemoration · Nostalgia and Consumer Behavior

  • Redefining colonial identities in contemporary transnational westerns

    Open Access•Marek Paryż•Journal of New Zealand & Pacific…•2022

  • Redefining colonial identities in contemporary transnational westerns

    Open Access•Marek Paryż•Journal of New Zealand & Pacific…•2022

  • Transnational Post-Westerns in Irish Cinema

    Open Access•Jesús Ángel González•Journal of Transnational American…•2016

Citations per year0.25
Citation span2022 - 2022 (1)
Highly citedNo

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