Streaming giants and the global shift
Building value chains and remapping trade flows
Bibliographic Data
| ID | 22693232 |
|---|---|
| Authors | Jean K Chalaby (0000-0002-8250-0361, University of London, corresponding author) |
| Year | 2025 |
| Volume | 75 |
| Issue | 2 |
| Pages | 112-124 |
| Publication date | 2025-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Communication (JOURNAL) |
| Journal identifiers | ISSN: 0021-9916 • E-ISSN: 1460-2466 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/joc/jqae040 |
| OpenAlex | W4405560673 |
| Language | EN |
| Citations received | 7 |
| References cited | 64 |
This article analyses the global dominance of three U.S.-based platforms (Amazon Prime Video, Disney+, and Netflix) on the streaming market. It investigates their reconfiguring of the TV industry around a global value chain, akin to other highly globalized industries, and characterized by the presence of a few lead firms operating in multiple markets and leveraging hundreds of suppliers worldwide. These streaming platforms benefit from transnational network effects and the coordination of supply chains on a global scale. By building large content libraries and accumulating foreign assets, they are transforming international trade flows in the process. Since 2020, the United States imports more audiovisual services, including movies and television programming, than it exports. This research demonstrates how the impact of these platforms is positive on local creative ecosystems, despite power asymmetries at play, and negative on local broadcasters.
Business · Commerce · Dominance (genetics) · Global value chain · Industrial organization · International trade · Supply chain · Telecommunications · Value (mathematics) · Computer Science · Digital Platforms and Economics · Global trade, sustainability, and social impact · International Business and FDI · Marketing
Mass communication and society
Television in the Streaming Era
Netflix Nations
Global Production Networks
The Platform Economy
Scale and Scope
Outsourcing Economics
The Competitive Advantage of Nations
Global Capitalism and Commodity Chains
Bridging differing perspectives on technological platforms
Upgrading strategies for the digital economy
Comunicacion de Masas E Imperialismo Yanqui
The Political Economies of Media
Television Production in Transition
Transnational Television in Europe
What is Netflix imperialism? Interrogating the monopoly aspirations of the ‘World's largest television network’
“MacBride”
Television and Globalization
Streaming Television, Netflix, and Transverse Transnationalism
Globalization and Media in the Digital Platform Age
Transnational Television Worldwide
Hearts and Mines
Satellite Realms
Beyond media imperialism
Cultural Industries in the Age of Free-Trade Agreements
US-based SVoD services and the restructuring of the audio-visual production market
Digitization and Changing Windowing Strategies in the Television Industry
Terebi banare ’
Not just Netflix
The governance of global value chains
How “original” are Netflix Original films? Mapping and understanding the recycling of content in the age of streaming cinema
Reasons for the US dominance of the international trade in television programmes
The streaming industry and the platform economy
The ‘Netflix Original’ and what it means for the production of European television content
Cultural politics of Netflix in local contexts
Beyond Netflix
Online TV
Global Hollywood 2
Netflix, library analysis, and globalization
Explaining governance in global value chains
New forms of internationalisation? The impact of Netflix in Australia
Varieties of second modernity
The Cosmopolitan Society and Its Enemies
| Unique citing works | 7 |
|---|---|
| Citations per year | 7 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 7 |