Netflix Nations
The Geography of Digital Distribution
Bibliographic Data
| ID | 23399790 |
|---|---|
| Authors | Ramon Lobato (0000-0002-1689-7233, corresponding author) |
| Year | 2019 |
| Publication date | 2019-12-31 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Netflix Nations (SOURCE_BOOK) |
| Publisher | New York University Press (PUBLISHER) |
| DOI | 10.18574/nyu/9781479895120.001.0001 |
| OpenAlex | W4392065763 |
| ISBN | 9781479895120 |
| Language | EN |
| Citations received | 255 |
How streaming services and internet distribution have transformed global television culture. Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging—including Netflix, the world’s largest subscription video-on-demand service. Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age. Netflix Nations addresses a fundamental tension in the digital media landscape – the clash between the internet’s capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users (“this video is not available in your region”); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution. Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix’s ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment.
The “Netflix Look”
From prime time to binge-watching
Terminología y fraseología juveniles en el discurso digital
Loved everywhere
Netflix in Turkey
Platforms Reshape Embeddedness? Platformization and Bilateral Embeddedness of the Chinese Audiovisual Industry
The nation’s third body
Towards streaming as a dominant mode of media use? A user typology approach to music and television streaming
La globalisation culturelle et les nouveaux enjeux d'hégémonie à l'heure des plateformes
SVOD Production in East-Central Europe
Streaming giants and the global shift
The Mutual Domestication of Users and Algorithmic Recommendations on Netflix
Negotiating content
Netflix, library analysis, and globalization
To Affinity and Beyond
Chinese video streaming services in the context of global platform studies
The Peculiarities of Place
Romantic blockbusters
Young Danish audiences and British screen content
Roamers
Transportable audio descriptions of diversity?
Streaming Production Cultures
Spatial dynamics and fiscal influence on the South Korean film and television industry
Film promotion across the EU member states and abroad
The popularity myth
Cybernationalism
Representaciones LGBTI en los largometrajes de Netflix
A look at the Spanish film industry and its level of persistence
Hollywood survival strategies in the post-Covid 19 era
Digital shifts in Emirati film
Capítulo 7. En busca de un discurso emocional
A Girls’-Eye View
Taking Netflix to the Cinema
“We definitely are going to make billions, but we want to do it in a smart and thoughtful way”
Building Landscape and Landscape as Worldbuilding
Reciclajes seriales en la era de los servicios de vídeo bajo demanda
Streaming diplomacy and the evolution of Hindi cinema
Algorithmic neogeneralism in streaming platforms
Digital platforms and the shifting landscape of transnational cinema
Digital Conversations Around Fortnite
Audiovisual Inclusivity
« Puis, il y a eu Netflix »… Résister au capitalisme de plateforme
The Netflix Original documentary, explained
From Weird Weekends to Porn's MeToo
The Complex Geography of Cultural Networks
E pluribus Unum
Beyond Datafication
‘Being a drama producer is not in the least artistic work’ – Adopting streaming production culture at the Finnish public service broadcaster
The quantification of diversity
Reconfiguring the global–local nexus
The politics of streaming time
Adapting to context
Streaming women
Streaming diversity
Cinephilia, take three
Queer media in the age of streaming video
Sexual diversity and streaming television
Custom thumbnails
What is ‘children’s television’ in the streaming era
Transnationalisation revisited through the Netflix Original
Video-on-demand catalog and interface analysis
Streaming Diversité
Algorithmic experiences of Netflix’s users in the Arab world
The (in)visibility of diversity on streaming platforms in France and Norway
El impacto de Netflix en el turismo audiovisual
Elementos de identidad nacional y cultural en la ficción televisiva española distribuida por la plataforma RTVE Play
Deconstructing streaming global audiences
Cultural clusters in Istanbul
Disruptive AVT workflows in the age of streaming
Translating intercultural interactions in the Netflix-branded film American Factory
The show must go on(line)
From the Washington Consensus to “America First”
Transforming the entertainment industry
Problematic symptoms among binge watchers in Islamabad and Rawalpindi, Pakistan
Television in transition
Datacasting
Producing Diversity
Televisuality on a Global Scale
When Latin American Melodrama Meets Nordic Noir
Oblique Agency
Economizing attention
La plataforma Dark.Netflix como ejemplo de estrategia de amplificación de la transficcionalidad transmedia
Streaming Platforms, Filter Bubbles, and Cultural Inequalities. How Online Services Increase Consumption Diversity
The platformization of gender and sexual identities
Audience engagement with comedy films in small European markets’
Streaming media and the dynamics of remembering and forgetting
Breaking boundaries
In pursuit of authenticity
Content is power
Audio-visual industry and digital platforms in India
Experimentation will be at the forefront’
Anticipation as Platform Power
Three Challenges for Media Studies in the Age of Platforms
Queer Rhythms of Continuity
Independent Sports Television in the Networked Era
Netflix in Europe
Making a “Hate-Watch”
We Don’t Aspire to Be Netflix”
Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms
SVOD Global Expansion in Cross-National Comparative Perspective
| Unique citing works | 255 |
|---|---|
| Citations per year | 36,43 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 252 |