Cultural Industries
Product–Market Characteristics, Management Challenges and Industry Dynamics
Bibliographic Data
| ID | 23136830 |
|---|---|
| Authors | Mirva Peltoniemi (0000-0002-5045-5957, Jyväskylä University School of Business and Economics University of Jyväskylä PO Box 35 Jyväskylä FI‐40014 Finland, corresponding author) |
| Year | 2015 |
| Volume | 17 |
| Issue | 1 |
| Pages | 41-68 |
| Publication date | 2015-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Management Reviews (JOURNAL) |
| Journal identifiers | ISSN: 1460-8545 • E-ISSN: 1468-2370 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/ijmr.12036 |
| OpenAlex | W1817181345 |
| Language | EN |
| Citations received | 30 |
| References cited | 337 |
During the last decade, cultural industries have grown in economic importance, and research interest in them has increased. Despite prolific research, there is a lack of a comprehensive view on the subject. The purpose of the present paper is to offer a reconceptualization of cultural industries by tracing their boundaries, their features and the dynamics that follow from these features. This is achieved through a review of 314 cultural industries studies, whereby a classification system of three main and six sub‐categories is constructed. On the basis of the review, a framework for future research is presented. Most importantly, future research should examine selection criteria and selection performance, and explore the relationships between tastes, sales, diversity and quality. In this way, researchers might be able to create some order in the extreme uncertainty that cultural industries managers face.
Business · Cultural diversity · Diversity (politics) · Dynamics · Dynamics (music) · Epistemology · Face (sociological concept) · Order (exchange) · Product (mathematics) · Quality (philosophy) · Selection (genetic algorithm) · Social science · Sociology · Subject (documents) · Tracing · Art History and Market Analysis · Computer Science · Consumer Behavior in Brand Consumption and Identification · Cultural Industries and Urban Development · Marketing
Research on the Development of Characteristic Industry and Red Culture under Holistic Thinking—A Case Study of Wuhua County, Meizhou City
Analyzing Entrepreneurship in the U.S. Arts Sector
How entrepreneurial practices balance art and business
Toward a Theory of Arts Entrepreneurship
Cultural product innovation strategies adopted by the performing arts industry
Teams and lead creators in cultural and creative industries
Innovation in the creative industries
Business model innovation in cultural and creative industries
The Nexus of Culture and Economics
Spatial-Temporal Differences and Influencing Factors of Cultural Industry Resilience
Financing the cultural and creative industries through crowdfunding
Cultural industries in international business research
The development of digital commerce in the fashion industry
The multiplex of value creation and capture logics in the video game industry
Innovation within the food companies
The Micro- And Small Enterprises in Creative Professional Services
Managing paradoxes of innovation in an Indonesian TV group
Production structures of Brazilian cinema
Uncovering the influences on decision making in the popular music industry; intuition, networks and the desire for symbolic capital
Achieving a shared understanding in the creative industries
Back to the (invisible) Académie ? The organization of poetry as a “pure” art form
Why is managerial shared leadership in creative organizations a more resilient, transparent, open, and generous constellation? A case analysis approach
Adapting to the digital wave
The effect of awards on product internationalization and market-entry mode
Evolution, trends, and narratives of cultural crowdfunding
Transformation and job creation in the cultural and creative industries in South Africa
Fostering newcomers' work well-being through mentoring
Network embeddedness under developmental state
Misfits, Mavericks and Mainstreams
Creative industries micro-enterprises and informality
Creating Country Music
Hollywood Economics
Paradox in Project-Based Enterprise
Hedonic Consumption
Zipf Distribution of U.S. Firm Sizes
When Market Information Constitutes Fields
Beyond Networks and Hierarchies
From the functions of music to music preference
Gaffers, Gofers, and Grips
The Effects of Online User Reviews on Movie Box Office Performance
Tournament Rituals in the Evolution of Fields
A Core/Periphery Perspective on Individual Creative Performance
Creative Labour
Distinction
The Transition to Flexible Specialisation in the US Film Industry
Flexible Organizations, Innovation and Gender Equality
Technological change and forms of innovation in consumer magazine publishing
The Entrepreneurial Role of Organized Labour in the British Columbia Motion Picture Industry
Economic analysis of artists' behaviour
From Fashion to Design
Professionalization in space
Cultural Industries and the Production of Culture
Small businesses in the new creative industries
Lifestyle Meets Market
Hollywood for the 21st century
Inter–organisational Relationships in the Worldwide Popular Recorded Music Industry
Balancing Act
Small creative industry firms
Consumption Patterns, Digital Technology and Music Downloading
Formal Project Organization and Informal Social Networks
From Holloway to Hollywood
Organization as strategy
Partly for the Money
Empires, Federated Arrangements, and Kingdoms
The Meanings and Problems of Contemporary Creative Work
Defining the Creative Economy
Where Are We Now On Cultural Economics
Working in film – Employment in a project based industry
Social network markets
A Structural Analysis of Media Convergence
How Demand Sophistication (De‐)limits Economic Upgrading
Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry
Charting Gender
The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry
Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective
A Handbook of Cultural Economics
The Community Dynamics of Entrepreneurship
The Cultural Industries
Cultural goods, cultivation of taste, satisfaction and increasing marginal utility during vacations
Nexus Work
Copyright, Contracts and Music Production
Shielding Idiosyncrasy from Isomorphic Pressures
Distinction
Recognition and renown, the structure of cultural markets
Intergenerational Continuity of Taste
Hollywood versus the Internet
Unrewarded careers in the creative class
Hollywood and the world
A different take
From conception to consumption
Playing across the playground
Introduction to paradoxes of creativity
For art's sake! Artistic and economic logics in creative production
The taste for popular music
Multi‐Stage Markets in the Recording Industry
Concert Tour Success in North America
Cultural production and the corporation
The value of performers' rights
Revisiting the creative/commercial clash
SoundScan and the consolidation of control in the popular music industry
Alan Freed still casts a long shadow
Flexible films
Crowdsourcing and outsourcing
Networks, cultural capital and creative labour in the British independent television industry
The logics at work in the new cultural industries
The cultural economy
Manchester’s Film and Television Industry
Concentration and Diversity Revisited
Project Organization, Embeddedness and Risk in Magazine Publishing
A new map of Hollywood
Market Structure, the Creative Process, and Popular Culture
An addictive environment
Latent organizations in the film industry
Networks and social capital in the UK television industry
Similarity, familiarity and access to elite work in Hollywood
Bose-Einstein Dynamics and Adaptive Contracting in the Motion Picture Industry
Flexible Specialization and Regional Industrial Agglomerations
Where music and knowledge meet
Modeling Diffusion of Multiple Innovations via Multilevel Diffusion Curves
Leading the Herd Astray
Include Us Out-Economic Development and Social Policy in the Creative Industries
Art As Collective Action
Innovation and Diversity in the Popular Music Industry, 1969 to 1990
Measuring Industry Concentration, Diversity, and Innovation in Popular Music
Understanding audience segmentation
Cycles in Symbol Production
Predicting cultural output diversity in the radio industry, 1989-2002
Product Differentiation at the Movies
Tune in, fade out
The aesthetic discourse space of popular music
| Unique citing works | 30 |
|---|---|
| Citations per year | 2,73 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 29 |