The musical mind
The Cognitive Psychology of Music
Datos Bibliográficos
| ID | 24197063 |
|---|---|
| Autores | John A Sloboda |
| Año | 1987 |
| Páginas | 291 |
| Fecha de publicación | 1987-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | The musical mind (SOURCE_BOOK) |
| Editorial | Clarendon Press (PUBLISHER • GB) |
| Open Library | OL17986418M |
| ISBN | 9780198521280 |
| Idioma | EN |
| Citas recibidas | 110 |
Cognition · Cognitive Behavioral Therapy · Cognitive Science · Cognitive therapy · Composition (Musique) · Instrumentation · Kognitive Psychologie · Music · Music, physiological aspects · Musik · Musikpsychologie · Musique · Muziekpsychologie · Psychological aspects · Psychological aspects of Music · Psychology
Mind, Body, World
The Evolution of Language
Między dźwiękami Skalnego Podhala. Współczesna góralszczyzna
Group singing as a resource for the development of a healthy public
The Role of Macedonian Folk Songs Featured in Macedonian Films in Amplifying the Emotions
A pesquisa em processos de criação colaborativa e criatividade composicional no Brasil
Diversity in pitch perception revealed by task dependence
Enseñanza virtual del tiple colombiano
Adaptation of the Music Performance Anxiety Inventory to Turkish
Condições de um formalismo musical contemporâneo
Ensaio sobre os saberes docentes do bacharel professor de instrumento
The aesthetic experience of live concerts
Musically Talented Pupils in Slovene Elementary Schools
Symbolizing Iconic Indexes
Critical ontology for an enactive music pedagogy
Memória
Expérimentation d’une nouvelle méthodologie pour expliciter le processus de création d’une interprétation musicale
Determining what expert piano sight-readers have in common
Perception of the ternary arch-form in Western concert music
Sounding the Media
Common Senses
El aprendizaje y la enseñanza de la interpretación musical
Schema Theory as a Construction Grammar
Music in dreams
The Musical Surface
The development of the aesthetic experience of music
The emergence of music from the Theory of Mind
Capitalising on intuition and reflection
Tracking the composer’s cognition in the course of a creative process
Performing solo Bach
Reports of equitonic scale systems in African musical traditions and their implications for cognitive models of pitch organization
What's your music? Subjective theories of music-creating artists
Motivations and Methodologies for Automation of the Compositional Process
Inspiration and decision-making
In the beginning
Processes and Experiences of Creative Cognition in Seven Western Classical Composers
Playpens, Fireflies and Squeezables
Music and Trance
A Graph Topological Representation of Melody Scores
Songs from the Akwa Ibom and Cross River states of Nigeria
A Psychological Comparison of Ritual and Musical Meaning
Mechanisms of musical emotion transfer
Representing and remotivating musical processes
A general pitch interval representation
An Artificially Intelligent Jazz Performer
Template-matching models of musical pitch and rhythm perception
"Cognitive study of music as culture - basic premises for "cognitive ethnomusicology
Music Agnosias
Learning expressive performance
Joyce's Mob
Modeling music listening
Issues on the representation of time and structure in music
Score, vision, action
Psychological analysis of musical composition
An artificial intelligence approach to musical grouping analysis
Contribution to the design of an expert system for the generation of tonal multiple counterpoint
Command performances, performance commands
Music and modularity
Music
Issues in timbre and perception
Structural, cognitive and semiotic aspects of the musical present
Issues in theoretical and experimental approaches to research on listening and comprehension
Connecting interdisciplinary dots
Schoenberg, serialism and cognition
Hearing Voices
The state of the art in arts research
Prática musical e planejamento da performance
Cognição 4E e música
Saber tocar e saber ensinar
O (anti-)método de rítmica de José Eduardo Gramani
An Exploratory Study of the Responses and Relationships Involved in the Evaluation of, and in the Intention to Purchase New Rock Music
Perceptual Training of Second-Language Vowels
Free Rhythm
Creative Automatization
Biological roots of musical epistemology
Wybrane refleksje nad audiacją gordonowską
Rhythm and pitch in music cognition
Auditory imagery
Nuntius
Generative Processes in Algorithmic Composition
Listening to the Music
Explaining Expressive Performance
The Relationship between Explicit Planning and Expressive Performance of Dynamic Variations in an Aural Modeling Task
Musicians' Cognitive Processing of Imagery-Based Instructions for Expressive Performance
An Examination of Music and Nonmusic Majors' Response to Selected Excerpts from Stravinsky's Le Sacre du printemps
Music Listening Preferences in Early Life
Effect of Music Training and Musical Complexity on Focus of Attention to Melody or Harmony
Recognition of Chord Changes by 4- and 5-Year-Old American and Argentine Children
An Exploration of Children's Musical Compositions
A Time Analysis of the Compositional Processes Used by Children Ages 7 to 11
Audiation-Based Improvisation Techniques and Elementary Instrumental Students' Music Achievement
The Effect of Conceptual Advancement in Jazz Music Selections and Jazz Experience on Musicians' Aesthetic Response
A Comparison of Listeners' Musical Cognition Using a Continuous Response Assessment
The do re mi's of everyday life
Effects of Mental Practice and Modeling on Guitar and Vocal Performance
Joint Drumming in Brazilian and German Preschool Children
Involving the Performers in Transcription and Analysis
Of One Family? Improvisation, Variation, and Composition in Balinese Gendér Wayang
Catching Rhymes
The Wow Factor? A Comparative Study of the Development of Student Music Teachers’ Talents in Scotland and Australia
| Obras citantes distintas | 110 |
|---|---|
| Citas por año | 2,75 |
| Intervalo de citas | 1986 - 2025 (40) |
| Velocidad de citación | recent |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 8 |