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L'artiste, le boucher et le sacrificateur

Bibliographic Data

ID2735960
AuthorsDominique Fournier (0000-0003-4094-0390), Frédéric Saumade (0000-0002-7023-2822)
Year1989
Volume113
Issue1
Pages203-220
Publication date1989-01-01
Open AccessNo
TypeARTICLE
VenueÉtudes rurales (JOURNAL)
Journal identifiersISSN: 0014-2182 • E-ISSN: 1777-537X
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/rural.1989.3243
OpenAlexW2014735932
LanguageFR
Citations received2

The Artist, the Butcher and the Sacrificer The ethnographic study of Lower Andalusia, where the toro has become a fundamental cultural symbol, reveals that urban-dwellers feign to reject the meat of the sacrificial killing of a bull in an arena because it is still identified with the marginal world of slaughterhouses. This tendency is revelatory not only of the ambiguous evolution of town-country relations in the Seville area but also about sociocultural relations since the 18th century when the "plebs" , as they are usually called, managed to voice their judgment and their determination to rise in the social hierarchy within the framework of the taurine performance

Archaeology · Art · Butcher · Ethnography · Ethnology · Geography · Hierarchy · Humanities · Linguistics · Political science · Sociocultural evolution · Sociology · Symbol (formal · Anthropology · Culinary Culture and Tourism · Cultural Identity and Heritage · French Urban and Social Studies · Law · Philosophy

  • Aficionados et opposants à la tauromachie. Les formes plurielles de la civilisation

    Christophe Traïni•Politix•2003

  • L'élevage du taureau de combat

    Frédéric Saumade•L Homme•1995

Citations per year0.06
Citation span1995 - 2003 (9)
Highly citedNo

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