Separating Perceptual Dimensions from Affective Overtones
An Application to Consumer Aesthetics
Bibliographic Data
| ID | 3031973 |
|---|---|
| Authors | Morris B Holbrook (0000-0002-5452-9773), Joel Huber (0000-0002-6479-2794) |
| Year | 1979 |
| Volume | 5 |
| Issue | 4 |
| Pages | 272 |
| Publication date | 1979-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Consumer Research (JOURNAL) |
| Journal identifiers | ISSN: 0093-5301 • E-ISSN: 1537-5277 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1086/208739 |
| OpenAlex | W2058155622 |
| Language | EN |
| Citations received | 13 |
| References cited | 7 |
Different types of perceptual distortion due to affective overtones are identified. A procedure, which deals with problems of distortion more comprehensively than competing methods, is proposed and illustrated in the case of consumer aesthetics. The resulting bias-free joint space is clearly interpretable and performs relatively well in predicting affect
Aesthetics · Affect (linguistics) · Architectural engineering · Art · Cognitive psychology · Distortion (music) · Joint (building) · Perception · Space (punctuation) · Aesthetic Perception and Analysis · Color perception and design · Communication · Computer Science · Engineering · Mathematics · Psychology · Sensory Analysis and Statistical Methods · Social Psychology
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| Unique citing works | 13 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 1981 - 2018 (38) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |