Tchaikovsky is ours
The practice of minor music from thebarriosof Venezuela
Bibliographic Data
| ID | 3036978 |
|---|---|
| Authors | Yana Stainova (0000-0002-9599-3927, corresponding author) |
| Year | 2020 |
| Volume | 15 |
| Issue | 3 |
| Pages | 270-291 |
| Publication date | 2020-07-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American and Caribbean Ethnic Studies (JOURNAL) |
| Journal identifiers | ISSN: 1744-2222 • E-ISSN: 1744-2230 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17442222.2020.1773032 |
| OpenAlex | W3036370118 |
| Language | EN |
| Citations received | 1 |
| References cited | 48 |
How do young people living in social exclusion in Venezuela negotiate their deep personal attachment to classical music and the genre’s association with dominant European culture? I approach this topic through my ethnographic fieldwork with young musicians who are members of Venezuela’s nation-wide classical music program El Sistema. The majority of these musicians are from the lower social classes in an unequal society deeply divided along the intersecting lines of race, ethnicity, and class. Transposing Deleuze and Guattari’s concept of minor literature to music, I propose the notion of ‘minor music’ to explore the relationship between classical music practices, social exclusion, and aspiration. Minor music sheds light on how people on the margins of society inhabit dominant identities strategically, critically, and by making them ‘their own.’ Through a focus on the experiences of the young performers, I explore how they may articulate an individual and collective self within and through the medium of dominant categories. This has the simultaneous effect of both reproducing deep-rooted ethno-racial and economic hierarchies, while also infusing dominant identities with contrary forms of creativity and meaning embedded in the musicians' marginal social positions
Aesthetics · Art · Classical music · Ethnic group · Ethnography · Humanities · Meaning (existential · Minor (academic · Negotiation · Social science · Sociology · Visual arts · Anthropology · Diverse Musicological Studies · Gender Studies · Music History and Culture · Politics and Society in Latin America · Psychology
In the break
Real Country
Who Can Stop the Drums?
Tonality as a Colonizing Force in Africa
The Color of Mobs
Kwaito's Promise
Barrio Rising
Café con leche
The Cambridge Companion to Deleuze
In Search of Respect
Aurality
Linguistics and Indigenous American Languages
Laughter Out of Place
Toward a Racial Geography of Caracas
Reconstructing Race
Embodied Matters
Heartland Excursions
Critique of everyday life
The dialectics of urban space in Caracas
Latin American Culture
The Race of Sound
Ethnicity and Revolution
Towards Minor Theory
Tchaikovsky is ours
Dancing Energies
Versions of the Dead
Veiled Sentiments
Our Master's Voice, the Practice of Melancholy, and Minor Sciences
Anthropology and Voice
Dislocating Sounds
Enchantment as Method
The doctor's political body
The photographer's body
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |