Intégration et transformation d'une figure de la danse classique par la danse coréenne - une analyse comparée de la Pirouette en dehors et du Hanbaldeuleodolgi basée sur la notation Laban

Bibliographic Data

ID3072974
AuthorsKyung-Eun Shim (Groupe de Recherche Apprentissage et Contexte (GRAC), Ecole des Hautes Etudes en Sciences Sociales, Paris, France), Shim Kyung-Eun (corresponding author), Blandine Bril (0000-0002-3044-3617, Groupe de Recherche Apprentissage et Contexte (GRAC), Ecole des Hautes Etudes en Sciences Sociales, Paris, France)
Year2017
Volume56
Issue2
Pages309-327
Publication date2017-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSocial Science Information (JOURNAL)
Journal identifiersISSN: 0539-0184 • E-ISSN: 1461-7412
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0539018417694776
OpenAlexW2606794844
LanguageFR
Citations received2
References cited2

Due to cultural exchange between the West and Asia since the beginning of the 20th century, the Korean dance has integrated quite a few aspects of classical dance while transforming its figures. The transformation itself is what we are interested in. We focus on a central figure in classical ballet, la pirouette en dehors, which in the Korean dance is known as the Hanbaldeuleodolgi. Our research aims at understanding how is expressed in both cultures (France and Korea), a dance movement which comes under similar mechanical constraints (producing rotational forces) while displaying a unique aesthetic to each context. The detailed analysis of this figure is carried out based on the theory of Rudolf Laban

Art · Ballet · Dance · Humanities · Literature · Diversity and Impact of Dance · History · Musicology and Musical Analysis · Physical education and sports games research

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