Women like Meat
The Folklore and Foraging Ideology of the Kalahari Ju/'hoan
Bibliographic Data
| ID | 3911084 |
|---|---|
| Authors | Paul S Landau |
| Year | 1994 |
| Volume | 27 |
| Issue | 3 |
| Pages | 673 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | REVIEW |
| Review of | Women like meat: The folklore and foraging ideology of the Kalahari Ju/'hoan, Megan Biesele, 1993 |
| Venue | The International Journal of African Historical Studies (JOURNAL) |
| Journal identifiers | ISSN: 0361-7882 • E-ISSN: 2326-3016 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/220787 |
| OpenAlex | W629996406 |
| Language | EN |
PART I Sapience and survival: The Ju/'hoansi and their folklore Folklore and foraging Oral systems of communication. PART II Ju/'hoan expressive life: Tradition and creativity in Ju/'hoan religion and folklore Understanding Ju/'hoan tales Selected tales and analysis Technology and metaphor
Archaeology · Biology · Ethnology · Folklore · Foraging · Geography · Ideology · Political science · Archaeology and Rock Art Studies · Diverse Musicological Studies · Folklore, Mythology, and Literature Studies · History · Law · Ecology
Food, foragers, and folklore
Information transmission and the oral tradition
Social Anthropology and Human Origins
Mesolithic deer hunting – Prey choice of red deer (Cervus elaphus) based on age and sex distributions
Reconsidering the potential role of saline springs in the Paleoindian occupation of Sandy Springs, Adams County, Ohio
The Origins of Human Modernity
Community involvement and heritage management in rural South Africa
The Keimoes kite landscape of the trans-Gariep, South Africa
Bridging Realms
High and mighty
San Junior Secondary Students' Home–School Literacy Disconnection
The Crossing
The uncreated man. A story of archaeology and imagination
Las leyendas modernas y la transmisión de valores
The Evolution of Theory, Method and Technique in Southern African Rock Art Research
Cultural variation is part of human nature
Co-occurrence of Ostensive Communication and Generalizable Knowledge in Forager Storytelling
Social roles, prestige, and health risk
Negotiating the search for diagnosis and healing tuberculosis in Namibia. A case study of a Ju/’hoansi speaking man
Nommer, narrer, commenter
Different people just have different minds”
Myth of origin or play of difference
The Khoisan Origins of the Interconnected World View in Antjie Krog's Begging to be Black
Stories like the wind’
The Human Symbolic Revolution
Iconography of Termites' Nests and Termites
The Materiality of Rock Art and Quartz
The Elephant in the Handaxe
Towards a metaphysics of the soul and a participatory aesthetics of life
Psychospiritual ecoscience
Contested Histories
Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P
Therapeutic Efficacy of Music-Making
Foraging, Talking, and Tricksters
N// e (?Talking?)
Wilhelm Bleek and the Khoisan Imagination
Complementary Oral and Written Narrative Conventions
Southern African San Rock Painting as Social Intervention
The universal hunter
Rock Art as Source and Resource
Plagiaat? Appropriasie? Kulturele oorplanting? Huldiging
The music of dead sisters
The creation of the eland
The boer and the jackal
The society of the text
A Theory of ‘Animal Borders’
Culture and Politics, Behavior and Biology
Crises in forager studies, ethnographic and archaeological
Rain snakes’ from the Senqu River
Surrogate surfaces
Cloaks and torsos
Bees, honey and brood
Ritual fauna from Ratho Kroonkop
People will no longer be people but will have markings and be animals
An introduction to the rock art of the Malilangwe Conservation Trust, southeastern Zimbabwe
The devil’s in the detail
Once Upon a Time
Seeing is deceiving
Threads of Light
Big Pictures
The Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa
Spiritual and Political Uses of a Rock Engraving Site and Its Imagery by San and Tswana-Speakers
Red Lines and Arrows
Meaning' in Southern African San Rock Art
Capturing the Spoor
The Myth of Ritual Origins? Ethnography, Mythology and Interpretation of San Rock Art
Rocks of Potency
A Cross-Cultural Motif in San, Khoekhoe and Northern Sotho Rock Paintings of the Central Limpopo Basin, Southern Africa
Therianthropes in San Rock Art
Textual Production and Contested Histories in a Performance of the Namibian Storyteller Dawid Plaatjies
Reading the Hartebeest
Woyyi Céet
Archaeology, Ethno‐history and Oral Traditions
Sartre's Legacy in Postcolonial Theory; or, Who's Afraid of Non-Western Historiography and Cultural Studies
At War with God
Serbian Gypsy Witch Narratives
The Discursive Character of the /Xam Texts
Three-Dimensional Puzzles
The death of trance
San rock art
A history in paint and stone from Rose Cottage Cave, South Africa
Engraved art and acoustic resonance
The southern San and the trance dance
The Dancing Kudu
The Ascendance of Hunting during the California Middle Archaic
The /Xam Narratives
The mantis, the eland and the meerkats
The Uniqueness of Nguni Mediumistic Divination in Southern Africa
Muslims and Meals
Birds and Khoesān
Three nineteenth-century Southern African San myths
John Marshall's Kalahari Family
Experimental Games and Games of Life among the Ju/'hoan Bushmen
Khoisan wind
Natural and Supernatural Convergences
Hunting, healing, and hxaro exchange
Making Friends in the Rainforest
Contemporary Bushman Art, Identity Politics and the Primitivism Discourse
Ekila
Eland and Therianthropes in Southern African Rock Art
| Citation velocity | historical |
|---|---|
| Highly cited | No |