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Is the re-contextualization of digital writing inevitable, escapable or desirable

Bibliographic Data

ID4256229
AuthorsJ Sefton-Green (0000-0001-9318-4934, REDI, School of Education, Deakin University, Melbourne, Australia, corresponding author)
Year2021
Volume60
Issue2
Pages116-125
Publication date2021-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheory Into Practice (JOURNAL)
Journal identifiersISSN: 0040-5841 • E-ISSN: 1527-2532
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00405841.2020.1857124
OpenAlexW3109293975
LanguageEN
Citations received1
References cited22

Digital writing is constantly in tension with the way that school recontextualizes forms of resistance and vernacular knowledge in order to sustain control and power relations across society. Yet the social practices of digital writing are diverse, wide-ranging and constantly challenge forms of authorized knowledge across a variety of different social domains. This article considers definitions of digital writing (what is counted as such, by whom and in whose interests?) with the aim of disentangling vernacular and formal "digital writing" literacies. The discourse of other art fields (film and photography especially) raises questions about the logocentrism of print. Such discussion of variation in forms of expressivity and communication challenges and redefines what counts as writing in a conventional sense. I argue that the balance between school control over what counts as writing is under constant stress and is central to the politics of literacy

Contextualization · Linguistics · Literacy · Pedagogy · Power (physics · Resistance (ecology · Sociology · Variety (cybernetics · Vernacular · Computer Science · Discourse Analysis in Language Studies · Literacy, Media, and Education · Second Language Learning and Teaching

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Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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