Visual Culture Questionnaire
Bibliographic Data
| ID | 4300639 |
|---|---|
| Authors | Svetlana Alper, Svetlana Alpers, Emily Apter (0000-0002-4986-1747), Carol Armstrong, Susan Buck-Mor, Susan Buck‐mor, Susan Buck-Morss, Susan Buck‐Morss, Terri Conley (0000-0003-1592-8779), Tom Conley (0000-0002-3246-7524), Jonathan Crary, Thomas Crow, Thomas E Crow, Tom Gunning, Michael Ann Holly (0000-0002-5812-5477), Martin Jay, Thomas Dacosta Kaufmann (0000-0002-3706-0459), Silvia Kolbowski, Sylvia Lavin, Stephen Melville, Helen Molesworth, Keith Moxey, D N Rodowick (0009-0002-2039-5911), Geoff Waite, Christopher Wood (0000-0003-0382-9685) |
| Year | 1996 |
| Volume | 77 |
| Pages | 25 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/778959 |
| OpenAlex | W2325670411 |
| Language | EN |
| Citations received | 48 |
1. It has been suggested that the interdisciplinary project of is no longer organized on the model of (as were the disciplines of art history, architectural history, film history, etc.) but on the model of anthropology. Hence, it is argued by some that visual culture is in an eccentric (even, at times, antagonistic) position with regard to the new art history with its social-historical and semiotic imperatives and models of context and text
Art · Visual arts · Visual culture · Cultural Heritage Management and Preservation · Medicine · Psychology · Visual Culture and Art Theory · Optometry
Giorgia Aiello, Communication, espace, image
Estudos visuais, ou a ossificação do pensamento
Visual Turn
The visual essay
Latin American Visual Studies
Il visuale italiano nella crisi della cittadinanza. L’Italianness nei dispositivi di cattura neoliberali del “Migrant Cinema”
Changing textures of the decolonial in critical approaches to Isaac Julien's Who Killed Colin Roach
Film and the digital in visual studies
Showing seeing
There Are No Visual Media
Responses to Mieke Bal's `Visual Essentialism and the Object of Visual Culture' (2003)
‘What History, Whose History, History to What Purpose?’
Responses to Mieke Bal's `Visual Essentialism and the Object of Visual Culture' (2003)
Performing Show and Tell
Visual Studies, or the Ossification of Thought
The Commitment to Look
Forum
Visual Culture Studies and Cultural Sociology
Oneiric Horizons and Dissolving Bodies
‘I hate visual culture.’ The controversial rise of visual studies and the disciplinary politics of the visible
On reciprocity
Visual culture studies
Au-delà de la visualité
Sex and the (art history) academy
Beyond visuality
Performing the Visual North
Making sense of world art
All The Names
Notes on historiography of photographs from India
Visual Culture, Art History and the Humanities
Recognizing the Full Costs of Care? Compensation for Families in South Africa’s Silicosis Class Action
The contact zone
Visual Culture in Prehistoric South-east Italy
Knowing Images
Do good fences make good neighbours
Unseeing the Shown, Showing the Unseen
Visual essentialism and the object of visual culture
Digital Human Sciences
O Gigante do Século XX
A figure of a nude woman
O Vale do Paraíba cafeeiro e o regime visual da segunda escravidão
A virada e a imagem
From Punk to Pibroch
Agency, Images, and Visual Culture
Iconic Turn » et réflexion sociétale
Iconic Turn« und gesellschaftliche Reflexion
Post-fotografia etnografica
Violence Unseen
| Unique citing works | 48 |
|---|---|
| Citations per year | 2 |
| Citation span | 2002 - 2026 (25) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 46 |