Giving voice to the 'dignified man
Reflections on Global Popular Music
Bibliographic Data
| ID | 4304595 |
|---|---|
| Authors | Helena Simonett (0000-0003-1044-4804, Vanderbilt University, corresponding author) |
| Year | 2011 |
| Volume | 30 |
| Issue | 2 |
| Pages | 227-244 |
| Publication date | 2011-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143011000043 |
| OpenAlex | W2097894554 |
| Language | EN |
| Citations received | 2 |
| References cited | 23 |
As music increasingly links the global and the local and vice versa, fusions of diverse musical genres and styles burgeon. Globalisation theory (specifically Appadurai) has spurred explorations of musical hybridity and cross-fertilisation among scholars from different academic fields focusing on music. In this essay, I argue for the necessity of understanding global cultural interactions and musical appropriations or exchanges in the context of the ambivalences of the globalised mass diffusion and the power asymmetries involved. The purpose of this paper is to contextualise contemporary theoretical considerations by describing the Yoremensamble project - a government-sponsored cultural project in which a group of urban mestizo musicians from northwestern Mexico appropriated local indigenous musical expressions to produce an album titled 'Hombre digno' ('Dignified man'). The album is just one of many projects around the globe in which artists self-consciously re-localize global popular music styles. The resulting sonic fusions point to the need for a critical cultural analysis of such translocal and global phenomena which is rooted in ethnography
Aesthetics · Art · Context (archaeology · Ethnography · Globalization · Globe · Hybridity · Indigenous · Media studies · Musical · Political science · Popular music · Power (physics · Sociology · Violin musical styles · Visual arts · Anthropology · Diverse Musicological Studies · Globalization and Cultural Identity · History · Law · Music History and Culture · Psychology
Musical Migrations
The study of ethnomusicology
Global noise
Modernity at large
A View from the South
Transnational EncountersMusic and Performance at the U.S.-Mexico Border
Brazilian Popular Music and Globalization
The Cultures of Globalization
Local Histories/Global Designs
Local Histories/Global Designs
Interpreting Popular Music
Posmodernidad en la periferia
The Cultural Study of Music
Brazilian Popular Music and Globalization
Third Latin American Conference of the International Association for the Study of Popular Music
Ethnography and popular music studies
Brazilian Popular Music and Globalization
Time, Place, and Metaphor in Musical Experience and Ethnography
What Do Ethnomusicologists Do? An Old Question for a New Century
Music and the Global Order
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2012 - 2021 (10) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |