A very complicated version of freedom
Conditions and experiences of creative labour in three cultural industries
Bibliographic Data
| ID | 4330071 |
|---|---|
| Authors | D Hesmondhalgh (0000-0001-5940-9191, University of Leeds), Baker (0000-0003-3872-6889, Griffith University), Sarah Baker (0000-0003-2304-6573) |
| Year | 2010 |
| Volume | 38 |
| Issue | 1 |
| Pages | 4-20 |
| Publication date | 2010-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2009.10.001 |
| OpenAlex | W2067728756 |
| Language | EN |
| Citations received | 206 |
| References cited | 29 |
Ambivalence · Autonomy · Creative industries · Feeling · Isolation (microbiology · Obligation · Political science · Sociology · Cultural Industries and Urban Development · Digital Economy and Work Transformation · Gender, Feminism, and Media · Law · Psychology · Social Psychology
The cost of caring
‘When AI has helped me get there, is it still my idea?’ identity dissonance in creative work under conditions of algorithmic co-production
Values That Pay
The limits of disruption
Art in the Twenty-First Century
Curating Resistances: Ambivalences and Potentials of Contemporary Art Biennials
Reducing creative labour precarity
A bibliometric analysis of cultural and creative industries in the field of arts and humanities
Begrunnelser for lokal kreativ næring
Professional Self-Structuration in the Arts
Cultural and creative entrepreneurship
Passion Inspires
Creative Economy
The growth puzzle in the creative industries
Creative graduate pathways within and beyond the creative industries
Arts Entrepreneurship and Economic Development
Individual motivation among entrepreneurs in the creative and cultural industries
Work Identity without Steady Work
Character trait, context or… create! Innovative practices among creative entrepreneurs
Cultural Industries
Moral Orders in Contribution Cultures
The journalistic structure of feeling
Should I Stay or Should I Go
Toward a Typology of Journalism Careers
Back to the future of journalist work? Entrepreneurial subjectivity and freelance journalism in Sweden
Contingent High-Skilled Work and Flexible Labor Markets. Creative Workers and Independent Contractors Cycling Between Employment and Unemployment
Trapped in Reality
Culture and creativity, skills building, and growth
Les architectes en coworking. Ou le renouvellement d’une figure de l’architecte
The future of the cultural workforce
The HEartS Professional Model
Emerging visions
‘This profession is not doomed’
Musicians, the music industry, and suicide
On the distinction between creative and non-creative labour and on making comics in Guy Delisle’s graphic memoirs. From “travelogues” to “ laborlogs ”
The Role of Marketing Labour in Value Creation
Putting Class Back into Classical Music Studies
Artificial imagination
Marvinter
Author Care and the Invisibility of Affective Labour
Coping with precarity in the tourism performing arts industry
Should I stay or should I go? Early stages in performing artistic careers
To Perform or Not to Perform
Precariousness during an ongoing crisis. Cultural workers and the corona pandemic
Logged labour
(In)tangible Arguments about Play, Creativity, and the Political Economy of 3D Printing
Internships, Workfare, and the Cultural Industries
Art Struggles
Creatives in the city
Creative hubs
Creative industries policies and conditions of cinema labor in Colombia in the 21st century
Close to the ‘local cool’
Young musicians’ career identities
Rejection, adoption or conversion
Invisible, solidary, unbranded and passionate
Condiciones individuales de producción periodística en medios independientes cubanos
A Complex Art of Logistics
The platformization of tourism
Fashioning Gender
Diversity, Credibility and Cultural Labour as ‘Skill’
Emotional Labour in Magazine Work
The Trouble with Diversity
Constructing a Social Reality of Luck in the Art World
Voicing lived-experience and anti-racism
Israeli TV creators’ social justifications
Precarity and Why Indie Game Developers Can’t Save Us from Racism
Studying the moments of encounter and (im)mobilities in artists’ creative processes
Do spatial practices legitimize the values promoted by organizations? An ethno-architectural survey of governance and sustainable development in coworking spaces
Work placements in the media and creative industries
First encounter with the celluloid ceiling
From cultural industries to creative industries and back? Towards clarifying theory and rethinking policy
The Direction and Demographics of Journalists’ Trajectories
Platformed cultural production and calibration in the Covid-19 pandemic
Networking down
Basic income for creative justice
Creative work, self-organizing and autonomist potentiality
We are merely furniture’
Decision-making, market logic and the rating mindset
The cultural tragedy of production and the expropriation of the brickolariat
We live in a capitalist world, we need to survive!’
To see and be seen’
Dissolving boundaries
Tejiendo acción colectiva en la flexibilidad del trabajo cultural. Luchas y conquistas laborales recientes en la producción audiovisual argentina
El trabajo soñado. Vocación y sacrificio en la industria del videojuego
Cultural Continuities and Skateboarding in Transition
Creative labour and graduate outcomes
Balancing Act
Creating a niche, building a community
Craft labour and creative industries
Uncreativity
Measures for the betterment of the labor market position of non-standard working regimes in the cultural and creative sector in the Netherlands
Three arguments against ‘soft innovation’
Put some balls on that woman’
Hustling in the creative industries
Sexual Harassment in the Creative Industries
What motivates millennials? How intersectionality shapes the working lives of female entrepreneurs in Canada’s fashion industry
Introduction
Fashioning the Future
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income
Creative and cultural work without filters
Engineering Culture
Labors of Love in Theory and Practice
Making Capital from Culture
The Politics of Cultural Work
Back to work
The spark in the engine
Chapter 22 Artistic Labor Markets
Broadcasting discontent—freelancers, trade unions and the Internet
Work histories in television
Television production
Project Organization, Embeddedness and Risk in Magazine Publishing
Market Structure, the Creative Process, and Popular Culture
Cool, Creative and Egalitarian? Exploring Gender in Project-Based New Media Work in Euro
Clubs to Companies
Entrepreneurial Labor among Cultural Producers
You're only as Good as Your Last Job
Creative Work and Emotional Labour in the Television Industry
Toward a Network Sociality
Power and Subjectivity at Work
Artistic Labor Markets and Careers
Short-Term Projects and Emergent Careers
Pleasure at Work? Gender, Consumption and Work-based Identities in the Creative Industries
Freelance Workers and Contract Uncertainty
| Unique citing works | 206 |
|---|---|
| Citations per year | 12,88 |
| Citation span | 2010 - 2026 (17) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 204 |