Highbrow omnivorousness on the small screen
Bibliographic Data
| ID | 4330342 |
|---|---|
| Authors | Omar Lizardo (0000-0002-5405-3007, University of Notre Dame, corresponding author), Sara Skile, Sara Skiles (University of Notre Dame) |
| Year | 2009 |
| Volume | 37 |
| Issue | 1 |
| Pages | 1-23 |
| Publication date | 2009-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2008.10.001 |
| OpenAlex | W2016117201 |
| Language | EN |
| Citations received | 38 |
| References cited | 69 |
Advertising · Art · Business · Consumption (sociology) · Economics · Eurobarometer · European union · Highbrow · Literature · Social science · Sociology · Statistics · Taste · Variety (cybernetics) · Art History and Market Analysis · Cultural Industries and Urban Development · Mathematics · Psychology · Social and Cultural Dynamics
Social Class and Cultural Consumption
Living Room vs. Concert Hall
Cultural Consumption
Culture, Production of
Cultural Industries
The Legitimacy of Book Critics in the Age of the Internet and Omnivorousness
Cultural omnivorousness of young people in Japan, South Korea , and the United States —using latent class analysis
The affects of elitism in three-tiered semioscapes
Role of Socio-Cultural Capital and Country-Level Affluence in Ethical Consumerism
Teacher Bias in Assessments by Student Ascribed Status
The End of Symbolic Exclusion? The Rise of "Categorical Tolerance" in the Musical Tastes of Americans
The relationality of law and culture
Bourdieusian media studies
Quality on demand
Reimagining omnivorousness in the context of place
Digital omnivores? How digital media reinforce social inequalities in cultural consumption
The social positions of taste between and within music genres
Bridging nodes
Cosmopolitans of regionalism
Making Tastes for Everything
El debate sobre el omnivorismo cultural. Una aproximación a nuevas tendencias en Sociología del Consumo
Female bestsellers
Media Use and Its Effects in a Cross-National Perspective
Cultural dispositions and economic choice
Cultural consumption across countries
Nordic democracy of taste? Cultural omnivorousness in musical and literary taste preferences in Finland
Something besides monotheism
Gender and highbrow cultural participation in the United States
Art at the crossroads
Who are social critics
Why "cultural matters" matter
Unravelling the omnivore
Cosmopolitan preferences
The Global Omnivore
Between Breaking Bad and Big Brother
Cultural Omnivorousness and Status Inconsistency in Chile
Reconceptualizing and Theorizing 'Omnivorousness
Interest-Oriented Action
Cultivating differences
The Cultural Studies Reader
The iron cage revisited institutional isomorphism and collective rationality in organizational fields
Conductive graphene oxide hydrogels reduced and bridged by l -cysteine to support cell adhesion and growth
The Production of Culture
New Roles for Public Television in Western Europe
The Historical Genesis of a Pure Aesthetic
Cultural capital and the literary field
The social stratification of theatre, dance and cinema attendance
Distinction on the box
Television and taste hierarchy
Parental Background and Lifestyle Differentiation in Eastern Europe
Concentration and Diversity Revisited
Market Structure, the Creative Process, and Popular Culture
Cultural classifications under discussion latent class analysis of highbrow and lowbrow reading
Understanding Interaction Models
In Defense of Multiplicative Terms in Multiple Regression Equations
Anything But Heavy Metal
Innovation and Diversity in the Popular Music Industry, 1969 to 1990
Classification in Art
The Iron Cage Revisited
Understanding audience segmentation
Cycles in Symbol Production
Media repertoires of selective audiences
Predicting cultural output diversity in the radio industry, 1989-2002
Changing Highbrow Taste
The production of scientific change
Social status and cultural consumption
Evolution, extinction, or status quo? Canadian performing arts audiences in the 1990s
Social stratification and cultural consumption in Hungary
The field of cultural production, or
The rise and fall of highbrow snobbery as a status marker
Is 'distinction' really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France
Class, status, and the intergenerational transmission of musical tastes in Israel
Problems in comparative research
Musical boundaries
Culture consumption in Sweden
Status and media use in the Netherlands
Film, Ideology and Bourdieu's Critique of Public Taste
Reward Systems in Art, Science, and Religion
The Production of Culture
Social Capital, Networks and Leisure Consumption
Social Differentiation in Musical Taste Patterns
Social Theory for a Changing Society
Highbrow Cultural Consumption and Class Distinction in Italy, Israel, West Germany, Sweden, and the United States
Social Class and Cultural Mobility
The Production of Culture Perspective
Revitalizing the Culture Concept
Distinction by consumption in Czechoslovakia, Hungary, and the Netherlands
Patterns of Audio-Visual Consumption
Omnivores Show up Again
Culture, Class, and Connections
Musical Patronage and Social Change in Beethoven's Vienna
Processing Fads and Fashions
Institutional Logics and the Historical Contingency of Power in Organizations
Does Cultural Capital Structure American Consumption
The Work of Cultural Intermediaries and the Enduring Distance Between Production and Consumption
Comparative Evidence of Inequality in Cultural Preferences Gender, Class, and Family Status
Field theory in comparative context
Consumption and the Problem of Variety
| Unique citing works | 38 |
|---|---|
| Citations per year | 2,38 |
| Citation span | 2010 - 2026 (17) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 36 |