The Inferential Semantics of Comics
Bibliographic Data
| ID | 4376174 |
|---|---|
| Authors | Janina Wildfeuer (0000-0002-1330-8800, University of Bremen, corresponding author) |
| Year | 2019 |
| Volume | 40 |
| Issue | 2 |
| Pages | 215-234 |
| Publication date | 2019-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Poetics Today (JOURNAL) |
| Journal identifiers | ISSN: 0333-5372 • E-ISSN: 1527-5507 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/03335372-7298522 |
| OpenAlex | W2951499284 |
| Language | EN |
| Citations received | 9 |
| References cited | 28 |
As a multimodally complex medium, graphic narratives have long been approached from a semiotic perspective, though the latter’s focus on general decoding mechanisms for reading meaning out of signs has increasingly come under criticism. Only recently has the applicability of inference to the analysis of visual narratives begun to attract attention, mostly with regard to bridging hypotheses between panels on the level of narrative structure. This article, in contrast, addresses the general question of meaning construction at the level of narrative panels and even smaller units in comics, focusing on their general semantics. It argues that the intersemiotic interplay of the various resources and the evolving meaning construction is one of the most challenging aspects of comic analysis today and that recipients need to construct complex representations of what is shown (and told) in the interplay of images, text, and other visual resources to be able to follow the comic’s narrative. How this interpretation can be described with the help of a multimodal discourse analytic approach is the central question this article addresses. It shows how recent developments in applied semiotics together with basic concepts of abduction and defeasible reasoning help capture the fine-grained mechanics of meaning construction in comics as an approach to their basic semantics
Comics · Defeasible estate · Epistemology · Linguistics · Narrative · Semiotics · Comics and Graphic Narratives · Computer Science · Language, Metaphor, and Cognition · Narrative Theory and Analysis · Philosophy · Artificial Intelligence
Emojis as Pictures
Effects of Comic Application Interfaces on Reader Comprehension, Cognitive Processing, and Narrative Engagement
One Fourth-Grader’s Orchestration of Modes Through Comic Composition
Formal and Multimodal Approach to Hard News as Genre, Structure and Metalanguage in Social and Digital Media Contexts. The Example of Twitter
Abordagem formal e multimodal da notícia como gênero, estrutura e metalinguagem em contextos de mídia social e digital. O exemplo do Twitter
The digital approach to semiotics
Communicating life-saving knowledge
The discourse structure of video games
Multimodality and Materiality
Narration in the Fiction Film
From Discourse to Logic
Making Meaning
New Directions in the Analysis of Multimodal Discourse
Multimodal digital semiotics
Abduction
Intersemiotic Texture
Talking about dying and death
Filling in the Gaps
Generating predictive inferences while viewing a movie
Heterosemiosis
Peirce and Pragmatism
A multimodal discourse theory of visual narrative
Abductive Reasoning in Peirce's and Davidson's Account of Interpretation
Towards a grande paradigmatique of film
Pictorial runes in Tintin and the Picaros
| Unique citing works | 9 |
|---|---|
| Citations per year | 1,29 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |