Gender and the Classical Music World
The unaccomplished professionalization of women in Italy
Bibliographic Data
| ID | 4949022 |
|---|---|
| Authors | Claudio Casula (0000-0002-7880-3570, University of Cagliari, corresponding author) |
| Year | 2019 |
| Issue | 39 |
| Pages | 1-24 |
| Publication date | 2019-07-12 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Per Musi (JOURNAL) |
| Journal identifiers | ISSN: 1517-7599 • E-ISSN: 2317-6377 |
| Publisher | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER) |
| DOI | 10.35699/2317-6377.2019.5270 |
| OpenAlex | W2967902525 |
| Language | EN |
| Citations received | 3 |
| References cited | 10 |
The inclusion of women within the music profession is a recent and not fully realized process. This also holds true for classical music, where femininization has been more pronounced than in other music worlds. Building on secondary and primary sources on the Italian case, the paper focusses on some of the main aspects revealing the persistent - albeit steadily reduced - influence of a gendered model in shaping educational and professional paths of classical musicians, making for female musicians harder than for their male colleagues to gain legitimate access and full recognition within the world of classical music
Classical music · Musicology and Musical Analysis · Spanish Literature and Culture Studies · Theater, Performance, and Music History
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La division sexuelle du travail chez les musiciens français
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,43 |
| Citation span | 2019 - 2023 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |