Suspensions of perception
Attention, spectacle, and modern culture
Bibliographic Data
| ID | 4989684 |
|---|---|
| Authors | Richard Shiff (The University of Texas at Austin, corresponding author) |
| Year | 2001 |
| Volume | 37 |
| Issue | 2 |
| Pages | 209-210 |
| Publication date | 2001-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | REVIEW |
| Review of | Suspensions of perception: Attention, Spectacle, and Modern Culture, Jonathan Crary, 1999 |
| Venue | Journal of the History of the Behavioral Sciences (JOURNAL) |
| Journal identifiers | ISSN: 0022-5061 • E-ISSN: 1520-6696 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/jhbs.1029 |
| OpenAlex | W2054503997 |
| Language | EN |
Art · Art history · Citation · Library science · Perception · Political science · Spectacle · Art Education and Development · Computer Science · Law · Phenomenology and Existential Philosophy · Psychology · Theatre and Performance Studies
The economy of attention in the age of mental capitalism
Oxygen of Publicity” and “Lifeblood of Liberty” Communication Scholarship on Mass Media Coverage of Terrorism for the Twenty-first Century
Virality in the environment of political cartoons
Imagens do futuro nos museus
Effets de présence, délocalisations et relocalisations des images
Attention, please. Negotiating Concentration and Distraction around 1970
Joke work
Cinematic innervation
Rapport sans rapport
Contemporary Photographic Practices on the British Fairground
Early Radio Listening as Modernist Practice
Radio at Home
How are we now? Real-time mood-monitoring as valuation
Brand as Assemblage
Spectacular Security
John Vanderlyn’s view of Versailles
Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing
Control and transformation in early visual culture
Building media history from fragments
Spectacular astronomy
Glass lantern slides and visual instruction for school teachers in early twentieth-century Argentina
Between painting and illusion
Synthesising circus aesthetics and science
Crafts and industry in early films of British India
Learning to smell
Upwards of 20,000
A body passes by
Smashing Images in Your Face
Rethinking Mobile Methods
Seeing What the Philosopher Saw
The Cubist Detective, or the Eclipse of the Flâneur
How to see the world economy
Lucid dreams, perfect nightmares
The New Visual Literature”
Intercity Cinema
Knowledge work and practices of seeing
‘I hate visual culture.’ The controversial rise of visual studies and the disciplinary politics of the visible
Cinema, Spectatorship, and Subjectivity in Gutiérrez Albelo's Enigma del invitado (1936)
The Seduction of Sound in Consumer Culture
Huck and Hank go to the circus
Sense and the city
Arthur Hacker's Syrinx (1892)
The mouse, the screen and the Holocaust witness
Tecnologias de comunicação, entretenimento e competências cognitivas na cibercultura
Controle, Flagrante e Prazer
Sublimated Attractions
Anti-equivalence
Doing dead time for the sovereign
Lines of sight
Experimenting with Sociology
Ex-centric Cinema
The Invisible Woman
The Auto Salvage
Spellbound
The National Committee of Patriotic Societies and the Aesthetics of Propaganda
Eyes in the Dark
John Sloan's Moving‐Picture Eye
The Sound of Evolution
Aesthetics of arrival
Figures of the Visual
Magic and Modernity in China
Third Cinema in a Global Frame
Reverie, Sensation, Effect
Dreams for Our Perceptual Present
Diagnosing Modernity
Trollope Through the Window-Pane
Rhetorics of Value
Apparatus, Attention, and the Body
Black Box, White Cube, Gray Zone
Anagram, Gestalt, Game in Maya Deren
The Speed of Beauty
Introduction
The Phenomenology of Attention in Julian of Norwich’s A Revelation of Love
Media infrastructure
Following you
Sensation machine
The Silenced Listener
A Spectacular History of Survey by Flying Machine
Dreams by Day and Night
Brainwashing the cybernetic spectator
Scraping the surface
Ways of being seen
Perception, knowledge and freedom in the age of extremes
Seeing From Above
Les industries de l'attention
Attention under repair
Doing your thing? Trisha Brown's object lesson
Buckets, bollards and bombs
An untrained eye
Illuminating the Victorians
Introducing ‘Images, Technology, and History’
How media were made
Inventing the Technological Nation
Prosopopeia
From Nuisance to Nostalgia
Architectural geographies of the airport balcony
Intensities of feeling
Attention and the phenomenological politics of landscape
To show is to know? The conceptualization of evidence and discourses of vision in social science and education research
Embodying Art
| Citation velocity | historical |
|---|---|
| Highly cited | No |