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On Computational Models of the Evolution of Music

From the Origins of Musical Taste to the Emergence of Grammars

Bibliographic Data

ID5051482
AuthorsEduardo Reck Miranda (0000-0002-8306-9585, University of Plymouth), Simon Kirby (0000-0002-6496-1340, University of Edinburgh), Peter M Todd (0000-0003-0231-513X, Max Planck Society), Peter Todd
Year2003
Volume22
Issue3
Pages91-111
Publication date2003-09-01
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0749446032000150915
OpenAlexW1970212462
LanguageEN
Citations received5
References cited3

Evolutionary computing is a powerful tool for studying the origins and evolution of music. In this case, music is studied as an adaptive complex dynamic system and its origins and evolution are studied in the context of the cultural conventions that may emerge under a number of constraints (e.g. psychological, physiological and ecological). This paper introduces three case studies of evolutionary modelling of music. It begins with a model for studying the role of mating-selective pressure in the evolution of musical taste. Here the agents evolve "courting tunes" in a society of "male" composers and "female" critics. Next, a mimetic model is introduced to study the evolution of musical expectation in a community of autonomous agents furnished with a vocal synthesizer, a hearing system and memory. Finally, an iterated learning model is proposed for studying the evolution of compositional grammars. In this case, the agents evolve grammars for composing music to express a set of emotions

Art · Cognitive science · Linguistics · Literature · Musical · Rule-based machine translation · Taste · Communication · Computer Science · Evolutionary Algorithms and Applications · History · Language and cultural evolution · Music and Audio Processing · Philosophy · Psychology · Artificial Intelligence

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  • Experimental Studies of the Elements of Expression in Music

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    Open Access•D Thomas, Downing A Thomas•Music and the Origins of…•1995

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Citations per year0.25
Citation span2006 - 2023 (18)
Highly citedNo

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