AsylumGained'? AspectsofMeaninginThomasAdès'sAsyla
Bibliographic Data
| ID | 5128299 |
|---|---|
| Authors | Edward Venn (0000-0002-5146-9568, Lancaster University, corresponding author) |
| Year | 2006 |
| Volume | 25 |
| Issue | 1-2 |
| Pages | 89-120 |
| Publication date | 2006-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1468-2249.2006.00234.x |
| OpenAlex | W2086769614 |
| Language | EN |
| Citations received | 3 |
| References cited | 12 |
Critical commentary on Thomas Adès's orchestral pieceAsyla(1997) has so far chosen to concentrate on the implications of the work's ambivalent title. The present article seeks to explore the nature of this reception history in greater depth, in particular the way thatAsylahas been represented through the medium of television. Employing strategies outlined in Nicholas Cook's work on musical multimedia, this form of visual mediation is combined with the music ofAsylain order to fashion a coherent hermeneutic paradigm. Concerned to question the purpose of any univocal interpretation, however, a formalist reading of the work's finale then proceeds to invert the relationship between primary and secondary analytical perspectives, an approach which reveals the value of an expanded semantic field
Art · Linguistics · Mediation · Musical · Sociology · Visual arts · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2014 - 2021 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |