Pigments-copper-based greens and blues
Bibliographic Data
| ID | 5410085 |
|---|---|
| Authors | Silvie Švarcová (0000-0002-3582-6385, Czech Academy of Sciences, Institute of Inorganic Chemistry, corresponding author), David Hradil (0009-0000-7527-3984, Academy of Fine Arts Prague), Janka Hradilová (0009-0006-8922-0828, Academy of Fine Arts Prague), Zdeňka Čermáková (0000-0001-6877-2881, Czech Academy of Sciences, Institute of Inorganic Chemistry) |
| Year | 2021 |
| Volume | 13 |
| Issue | 11 |
| Publication date | 2021-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Archaeological and Anthropological Sciences (JOURNAL) |
| Journal identifiers | ISSN: 1866-9557 • E-ISSN: 1866-9565 |
| Publisher | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s12520-021-01406-0 |
| OpenAlex | W3207411133 |
| Language | EN |
| Citations received | 33 |
| References cited | 129 |
Copper · Malachite · Oxalic acid · Pigment · Building materials and conservation · Chemistry · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · Organic Chemistry
Un análisis interdisciplinar del conjunto escultórico del Monasterio de San Salvador de Oña (1141-1460)
Ancient Restoration in Roman Polychromy
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases
Unveiling the paint stratigraphy and technique of Roman African polychrome statues
Pigments—Arsenic-based yellows and reds
Integrating Material Analysis, Radiocarbon Dating, and Technical Examination in the Dating and Provenance Study of a Copy of Raphael’s “The Great Holy Family of Francis I”
The fresco wall painting techniques in the Mediterranean area from Antiquity to the present
On Devotional Artworks
A Non-Invasive and Sustainable Characterization of Pigments in Wall Paintings
Metallic and Translucent Decorative Layers
Present and future of chromatic reintegrations of wall paintings
Pseudoboleite as an alteration product of azurite in the painted stone of the mullioned windows of the Bargello Palace (Florence)
Multimodal and multiscale non-invasive study of Leonardo’s mural painting in Sala delle Asse (Milan)
Glass-based pigments in painting
Not only wall paintings-pigments for cosmetics
Pigments - Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products
Wall paintings through the ages
Characterizing the pigments and paints of prehistoric artists
Pigment nomenclature in the ancient Near East, Greece, and Rome
Wall paintings through the ages
Mortars and plasters-how to characterise hydraulic mortars
Mortars and plasters-How mortars were made. The literary sources
Mortars and plasters-How to characterize aerial mortars and plasters
Mortars, plasters and pigments-research questions and sampling criteria
Pigments-the palette of organic colourants in wall paintings
Mortars and plasters-how to manage mortars and plasters conservation
Mortars and plasters - How to characterize mortar and plaster degradation
Production, transport and on-site organisation of Roman mortars and plasters
The ecology and bioactivity of some Greco-Roman medicinal minerals
Pigments, dyes and inks
Mortars and masonry-structural lime and gypsum mortars in Antiquity and Middle Ages
Cinnabar traditions across the ancient Central Andes
Pigments-Iron-based red, yellow, and brown ochres
Archaeometric and archaeological study of painted plaster from the Church of St. Philip in Hierapolis of Phrygia (Turkey)
The archaeological site of St. Maria Veterana (Triggiano, Southern Italy)
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases
The ‘Madonna and Child Enthroned with Saints’ of Ambrogio Lorenzetti in the St. Augustine Church (Siena, Italy)
Non-destructive in situ analysis of polychromy on ancient Cypriot sculptures
Pigments—Arsenic-based yellows and reds
Thirteenth century wall paintings under the Siena Cathedral (Italy). Mineralogical and petrographic study of materials, painting techniques and state of conservation
Colourants on the wall paintings of a mediӕval fortress at the mount Sofeh in Isfahan, central Iran
The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia
Development of Chinese barium copper silicate pigments during the Qin Empire based on Raman and polarized light microscopy studies
Unique Pre-Romanesque Murals in Kostoľany Pod Tríbečom, Slovakia
Raman Spectroscopic Analysis of Ancient Egyptian Pigments
Application of Lead Isotope Analysis to a Wide Range of Late Bronze Age Egyptian Materials
Evidence for the Use of Egyptian Blue in an 11th Century Mural Altarpiece by Sem–eds, Ftir and Sr XRD (Church of Sant Pere, Terrassa, Spain)
The Egyptian Green Pigment
The Impact of Soluble Salts on the Deterioration of Pharaonic and Coptic Wall Paintings at Al Qurna, Egypt
Identification of Green Pigment Used in Persian Wall Paintings ( ad 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques
Preliminary non-invasive study of Carolingian pigments in the churches of St. John at Müstair and St. Benedict at Malles
Glass-based pigments in painting
Not only wall paintings-pigments for cosmetics
Pigments - Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products
Wall paintings through the ages
Characterizing the pigments and paints of prehistoric artists
Pigment nomenclature in the ancient Near East, Greece, and Rome
Wall paintings through the ages
Mortars and plasters-how to characterise hydraulic mortars
Mortars and plasters-How mortars were made. The literary sources
Mortars and plasters-How to characterize aerial mortars and plasters
Mortars, plasters and pigments-research questions and sampling criteria
Pigments-the palette of organic colourants in wall paintings
Mortars and plasters-how to manage mortars and plasters conservation
Mortars and plasters - How to characterize mortar and plaster degradation
Production, transport and on-site organisation of Roman mortars and plasters
The ecology and bioactivity of some Greco-Roman medicinal minerals
Pigments, dyes and inks
Mortars and masonry-structural lime and gypsum mortars in Antiquity and Middle Ages
Probing the birthplace of the "Epirus school" of painting
Early Islamic pigments at Nishapur, north-eastern Iran
Pigments-Iron-based red, yellow, and brown ochres
Late production of Egyptian blue
The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and Gas Chromatography-Mass Spectrometry
Combining multispectral images with X-ray fluorescence to quantify the distribution of pigments in the frigidarium of the Sarno Baths, Pompeii
Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple
Analysis of mediaeval Swedish paintings influenced by Russian-Byzantine art
| Unique citing works | 33 |
|---|---|
| Citations per year | 6,6 |
| Citation span | 2021 - 2025 (5) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 33 |