Chinese beauty bloggers
Amateurs, Entrepreneurs, and Platform Labour
Bibliographic Data
| ID | 5675003 |
|---|---|
| Authors | Zexu Guan (0000-0003-4249-0290, Leiden University, corresponding author) |
| Year | 2021 |
| Volume | 12 |
| Issue | 2 |
| Pages | 326-332 |
| Publication date | 2021-04-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Celebrity Studies (JOURNAL) |
| Journal identifiers | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2020.1737154 |
| OpenAlex | W3011570763 |
| Language | EN |
| Citations received | 35 |
| References cited | 12 |
Internet celebrities refer to people ‘that attain prominence and popularity native to the internet’. Internet celebrities rise not only on global social media platforms like Twitter and YouTube but also on their Chinese counterparts. In China, internet celebrities are known as wanghongs. While wanghong refers to a general group of people who achieve fame online, diverse subtypes of wanghongs exist, like meizhuang bozhu (beauty blogger). Chinese beauty bloggers create content about skincare and makeup with their personal accounts and attract a great number of followers. After the group started budding in the mid-2000s, the role of beauty blogger continues to bloom in the fast-growing internet industries of China. This paper examines the roles beauty bloggers play and how these roles take shape in China’s technological and economic context
Advertising · Aesthetics · Art · Beauty · Business · China · Internet privacy · Political science · Popularity · Sociology · The Internet · World Wide Web · Asian Culture and Media Studies · Computer Science · Digital Economy and Work Transformation · Gender, Feminism, and Media · History · Law
China’s Pathway to Digital Wanghong
Negotiating beauty duty
Ready worker two
Mainstreaming wanghong in the international press discourse
If I’m not Streaming, I’m not Earning
Effects of heuristic and systematic cues on perceived content credibility of Sina Weibo influencers
Platform as new “daddy”
Influencer regulations, governance and sociocultural issues in Asia
Contribution of internet celebrities’ self-disclosure to fan-perceived interpersonal attraction and enduring involvement
‘Take my advice’
Wanghong e-commerce in/as China’s economic transformation
The postfeminist entrepreneurial self and the platformisation of labour
Introduction to the Special Issue on ‘The Future of Wanghong’
Satellite intermediaries
“Being pretty does not help your success”
Business Inquiries are Welcome”
Being independent women in blogs
Balancing self-representation and self-commodification
Performing Eurasianness, Chineseness, and cosmopolitanism as racialized digital labor
An affective atmosphere of captivation
The impact of KOLs on consumption intention
Selling intimacy online
Identity performance and self-branding in social commerce
Get Ready to Buy With Me
Microcelebrities’ identity construction on social media
The “emotional contract
Frontline celebrities featured
Chinese celebrity and the pandemic
Chinese celebrity and Wanghong economy
From grassroots to celebrities in healthcare- professionality as a new persona in China's celebrity culture
Makeup as a postfeminist masquerade
The Nesting Strategies of E-Commerce Wanghong
Unveiling the Contested Digital Feminism
Stacked economization
Lumpen utopia
Social media celebrity and the institutionalization of YouTube
Thrown under the bus and outrunning it! The logic of Didi and taxi drivers’ labour and activism in the on-demand economy
Managing visibility on YouTube through algorithmic gossip
The romance of work
Meinü Jingji /China's beauty economy
Visibility labour
Self-branding, 'micro-celebrity' and the rise of Social Media Influencers
NennuandShunu
| Unique citing works | 35 |
|---|---|
| Citations per year | 8,75 |
| Citation span | 2022 - 2026 (5) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 32 |