The Curator's Moment
Bibliographic Data
| ID | 5792126 |
|---|---|
| Authors | Michael Brenson (corresponding author) |
| Year | 1998 |
| Volume | 57 |
| Issue | 4 |
| Pages | 16-27 |
| Publication date | 1998-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Art Journal (JOURNAL) |
| Journal identifiers | ISSN: 0004-3249 • E-ISSN: 2325-5307 |
| Publisher | College Art Association (PUBLISHER • US) |
| DOI | 10.1080/00043249.1998.10791901 |
| OpenAlex | W2019787503 |
| Language | EN |
| Citations received | 9 |
In August 1997 fifteen curators from Africa, Asia, Australia, Latin America, Europe, and the United States met at the Rockefeller Foundation's Conference and Study Center in Bellagio, Italy, to consider the rapidly developing field of international contemporary art exhibitions. Conceived by Noreen Tomassi, director of Arts International, and Tomas Ybarra-Frausto, associate director of Arts & Humanities at the Rockefeller Foundation, the conference was designed to enable curators struggling with the extraordinary and in some ways unprecedented challenges posed by international contemporary art exhibitions to share their ideas and concerns
Center (category theory · Foundation (evidence · Museums and Cultural Heritage
The Globalization of Culture and the New Civil Society
The Expediency of Culture
Güncel Sergileme Pratiklerinde Eleştirel Küratöryal Yaklaşımlar
Świat kryptosztuki w latach 2020–2021. Reprodukcja znanej rzeczywistości
Digital curation beyond the “wild frontier”
The Ecole de Dakar
Contemporary Native Artists and International Biennial Culture
Art curatorship strategy models
The impact of the two Johannesburg biennales (1995 and 1997) on the formation of a 'New South African art
| Citations per year | 0.33 |
|---|---|
| Citation span | 1999 - 2025 (27) |
| Highly cited | No |