New materialism

A theoretical framework for fashion in the age of technological innovation

Bibliographic Data

ID5809669
AuthorsAnneke Smelik (0000-0003-1333-3544, Radboud University Nijmegen, corresponding author)
Year2018
Volume5
Issue1
Pages33-54
Publication date2018-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Fashion Studies (JOURNAL)
Journal identifiersISSN: 2051-7106 • E-ISSN: 2051-7114
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/infs.5.1.33_1
OpenAlexW2809457375
LanguageEN
Citations received30
References cited25

Working from the case study of Dutch designer Iris van Herpen, this article proposes a new-materialist framework for fashion studies. The 'material turn' has gained substantial recognition in social and cultural research in the past decade but has received less attention in fashion studies. At the same time, fashion hardly ever figures in scholarship on new materialism. This article connects the two fields, surveys the literature, foregrounds key concepts and points to possible directions for fashion studies. The interdisciplinary field of new materialism highlights the role of non-human factors in the field of fashion, ranging from raw materials (cotton) to smart materials (solar cells) and from the textility of the garment to the tactility of the human body. New materialists work from a dynamic notion of life in which human bodies, fibres, fabrics, garments and technologies are inextricably entangled. The context of new materialism is posthumanism, which entails both a decentring of the human subject and an understanding of things and nature as having agency. The key concept is thus material agency, involving a shift from human agency to the intelligent matter of the human body as well as the materiality of fabrics, clothes and technology. The insight of material agency is important for acknowledging the pivotal role of technology in fashion design today, allowing greater attention for the material aspects of high-performance fibres and smart fabrics. From a new-materialist perspective, Iris van Herpen's designs can be understood as hybrid assemblages of fibres, materials, fabrics and skin that open up engaged and meaningful interconnections with the human body

Materialism · Materiality · Posthuman · Posthumanism · Art, Politics, and Modernism · Crafts, Textile, and Design · Fashion and Cultural Textiles

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Open DOISci-HubOpen Access