Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Limits of Virality

Music Creators and Platform Negotiation in the Era of Short-Form Video

Bibliographic Data

ID5954256
AuthorsAlexandria Arrieta (0000-0001-8601-8428, University of Southern California, corresponding author)
Year2025
Volume11
Issue4
Publication date2025-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSocial Media + Society (JOURNAL)
Journal identifiersISSN: 2056-3051 • E-ISSN: 2056-3051
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/20563051251388000
OpenAlexW4415952645
LanguageEN
Citations received2
References cited29

As the lifespan of virality on TikTok has become increasingly short and operates at a smaller scale, music creators are grappling with what it means to be successful in this later stage of the platform. For this study, I conducted 27 semi-structured interviews with music artists and creators about how short-form video platforms like TikTok have affected the way they work and create music. Many participants believe that while the creation of viral content based on memes and covers of popular songs affords constant visibility, it does not result in the monetary or career milestones that they desire, so they need to use different approaches. In this article, I characterize this new period of online musical labor as a period defined by "platform negotiation," in which creators evaluate platform demands and work to approach their content creation in ways that prioritize their personal and professional goals. This includes strategic decision-making to negotiate their presence-which can include their identity, brand, image, etc.-across platforms over time. As they engage in relational labor to support continued work, music creators cannot simply rely on the tenets of optimization to be successful. Rather, many are pivoting to utilizing content creation in ways that aim to prioritize fandom and career sustainability. This article examines the ways in which music creators grapple with the challenges of short-form video and how musical labor is changing online

  • Behind the “AI slop”

    Open Access•Jiaru Tang, Xiaoting Yu et al.•AI & Society•2026

  • Música con letra e instrumental en TikTok

    Open Access•Paloma Saá Teja, Lorena León Bascones et al.•VISUAL REVIEW International…•2026

  • Talking Voices

    Open Access•Deborah Tannen•Talking Voices•2007

  • The World Made Meme

    Ryan M Milner•World Made Meme•2016

  • The working life of musicians

    Open Access•Rick Everts, Erik Hitters et al.•Creative Industries Journal•2022

  • Mapping Internet Celebrity on TikTok

    Open Access•C Abidin•Cultural Science Journal•2020

  • Algorithmic precarity in cultural work

    Open Access•Brendan Duffy•Communication and the Public•2020

  • Beats and tweets

    Open Access•Jo Haynes, L Marshall•New Media & Society•2017

  • The romance of work

    Open Access•Brendan Duffy•International Journal of Cultural…•2015

  • Selling Out

    Bethany Klein, Leslie M Meier et al.•Popular Music & Society•2016

  • Sustainable and Unsustainable Semi-professionalism

    Diana L Miller•Popular Music & Society•2016

  • How to train your algorithm

    Open Access•Corinne Jones•Media Culture & Society•2023

  • The practice of parodying

    Open Access•Lillian Boxman-Shabtai•Media Culture & Society•2019

  • From creator to data

    Open Access•K Negus•Media Culture & Society•2019

  • Spaces of Negotiation

    Open Access•Thomas Poell, D B Nieborg et al.•Digital Journalism•2022

  • Influencer creep

    Open Access•Sophie Bishop•New Media & Society•2023

  • Playing to the Crowd

    Open Access•Nancy K Baym•Playing to the Crowd•2019

  • Being 'really real' on YouTube

    Open Access•Stuart Cunningham, Daniel Craig et al.•Media International Australia•2017

  • Visibility labour

    Open Access•C Abidin•Media International Australia•2016

  • The Nested Precarities of Creative Labor on Social Media

    Open Access•Brendan Duffy, Annika Pinch et al.•Social Media + Society•2021

  • Music Platforms and the Optimization of Culture

    Open Access•Jeremy Wade Morris•Social Media + Society•2020

  • Platform Practices in the Cultural Industries

    Open Access•Brendan Duffy, Thomas Poell et al.•Social Media + Society•2019

  • Playing Spotify's game

    Ignacio Siles, Amy A Ross Arguedas et al.•Journal of Cultural Economy•2022

Unique citing works2
Citations per year2
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae