The Limits of Virality
Music Creators and Platform Negotiation in the Era of Short-Form Video
Bibliographic Data
| ID | 5954256 |
|---|---|
| Authors | Alexandria Arrieta (0000-0001-8601-8428, University of Southern California, corresponding author) |
| Year | 2025 |
| Volume | 11 |
| Issue | 4 |
| Publication date | 2025-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Social Media + Society (JOURNAL) |
| Journal identifiers | ISSN: 2056-3051 • E-ISSN: 2056-3051 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/20563051251388000 |
| OpenAlex | W4415952645 |
| Language | EN |
| Citations received | 2 |
| References cited | 29 |
As the lifespan of virality on TikTok has become increasingly short and operates at a smaller scale, music creators are grappling with what it means to be successful in this later stage of the platform. For this study, I conducted 27 semi-structured interviews with music artists and creators about how short-form video platforms like TikTok have affected the way they work and create music. Many participants believe that while the creation of viral content based on memes and covers of popular songs affords constant visibility, it does not result in the monetary or career milestones that they desire, so they need to use different approaches. In this article, I characterize this new period of online musical labor as a period defined by "platform negotiation," in which creators evaluate platform demands and work to approach their content creation in ways that prioritize their personal and professional goals. This includes strategic decision-making to negotiate their presence-which can include their identity, brand, image, etc.-across platforms over time. As they engage in relational labor to support continued work, music creators cannot simply rely on the tenets of optimization to be successful. Rather, many are pivoting to utilizing content creation in ways that aim to prioritize fandom and career sustainability. This article examines the ways in which music creators grapple with the challenges of short-form video and how musical labor is changing online
Talking Voices
The World Made Meme
The working life of musicians
Mapping Internet Celebrity on TikTok
Algorithmic precarity in cultural work
Beats and tweets
The romance of work
Selling Out
Sustainable and Unsustainable Semi-professionalism
How to train your algorithm
The practice of parodying
From creator to data
Spaces of Negotiation
Influencer creep
Playing to the Crowd
Being 'really real' on YouTube
Visibility labour
The Nested Precarities of Creative Labor on Social Media
Music Platforms and the Optimization of Culture
Platform Practices in the Cultural Industries
Playing Spotify's game
| Unique citing works | 2 |
|---|---|
| Citations per year | 2 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |