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Odrodzenie kulturowe na postkolonialnym Tahiti. Przypadek unu

Bibliographic Data

ID6059259
AuthorsMałgorzata Owczarska (0000-0002-5529-5833, University of Warsaw, corresponding author), Polska Uniwersytet Warsza
Year2015
Volume1
Publication date2015-04-06
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEtnografia Praktyki Teorie Doświadczenia (JOURNAL)
Journal identifiersISSN: 2392-0971 • E-ISSN: 2543-9537
PublisherUniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego (PUBLISHER)
DOI10.4467/254395379ept.15.004.6469
OpenAlexW2605957407
LanguageEN
References cited6

This article explores contemporary aspects of cultural renewal in postcolonial Tahiti. By focusing on the renewed interest in unu sculptures, I describe practices of indigenous associations, which are trying to address the islanders’ profound cultural identity crisis. As a result of colonial history of the region, the cultural continuity has been almost entirely severed. The activists consciously strive to reclaim the history and knowledge that disappeared. However, the goal does not consist in mere restoration of the historical forms, or rewriting the history anew in the hardened Western canons. What is the most important for the activists is to live through and to link relations between human, non-human, spirituality, places and memory. Therefore, I am particularly interested in pointing out the intersections of various relations cutting across categories such as time and space. These activities will also be characterized as processual and mobile

Aesthetics · Archaeology · Art · Art history · Colonialism · Identity (music · Indigenous · Sculpture · Sociology · Spirituality · Anthropology · Diaspora, migration, transnational identity · Gender Studies · History · Island Studies and Pacific Affairs · Philippine History and Culture · Philosophy

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    Open Access•Jocelyn Linnekin•American Anthropologist•1991

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    Open Access•Allan Hanson•American Anthropologist•1989

Citation velocityhistorical
Highly citedNo

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