Performing without a script
A dramaturgical analysis of the first cohort of Senior High School teachers in the history of Philippine education
Bibliographic Data
| ID | 7169507 |
|---|---|
| Authors | Manuel R Enverga (0000-0002-7661-7782, Ateneo de Manila University, corresponding author), Elizabeth R Enverga (International School for Better Beginnings) |
| Year | 2025 |
| Volume | 31 |
| Issue | 3 |
| Pages | 357-371 |
| Publication date | 2025-04-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Teachers and Teaching (JOURNAL) |
| Journal identifiers | ISSN: 1354-0602 • E-ISSN: 1470-1278 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13540602.2023.2265829 |
| OpenAlex | W4387217643 |
| Language | EN |
| References cited | 26 |
In 2013, the Philippines shifted from a ten to a thirteen year basic education curriculum. Expanding the number of years of schooling necessitated the addition of new grade levels, including Grades 11 and 12, collectively referred to as ‘Senior High School’. The teachers who first taught in these levels were in a situation in which they had to carry out their work without a prescribed modus operandi. There was no precedent for how one dealt with students, administrators, or parents. Nevertheless, these teachers had to carry on with their work. Using data gathered from 19 FGD participants, this paper examined the experiences of the pioneer batch of instructors to handle Grade 11 and 12 students. Goffman’s (1956) dramaturgical approach was a useful heuristic for understanding the data. It is underpinned by the assumption that social interactions resemble stage performances, with individuals performing roles for audiences. The pioneering batch of teachers could, thus, be understood as actors having to play the role of competent educator to audiences of students and parents without a fully-written script, in the form of existing modus operandi. The difficulties of their role are compounded by bureaucratic uncertainty among administrators, their backstage support staff.Keywords: Dramaturgysenior high school teachersPhilippinesK-12 transition Disclosure statementNo potential conflict of interest was reported by the author(s)
Bureaucracy · Curriculum · Mathematics education · Pedagogy · Political science · Sociology · Creative Drama in Education · Engineering · Global Education and Multiculturalism · Multilingual Education and Policy · Psychology
Discourse
Critical Discourse Analysis
Performing unbelonging in court. Observations from a transnational corporate bribery trial—a dramaturgical approach
Synergistic co-teaching
Discourse and Power
Saturation in qualitative research
The Significance of Saturation
The presentation of police in everyday life
Clothing and Embodiment
Focus Group Data Saturation
A Practical Guide to Focus-Group Research
Using thematic analysis in psychology
A Dramaturgical Approach to Teaching Political Science
Rethinking Context
How Many Focus Groups Are Enough? Building an Evidence Base for Nonprobability Sample Sizes
| Citation velocity | historical |
|---|---|
| Highly cited | No |