Gamelan Sistem Sepuluh Nada dalam Satu Gembyang untuk Olah Kreativitas Karawitan Bali

Bibliographic Data

ID7520974
AuthorsHendra Santosa (0000-0002-6286-4387, Institut Seni Indonesia Denpasar, corresponding author), Saptono, Saptono Saptono (Institut Seni Indonesia Denpasar)
Year2019
Volume1
Issue2
Publication date2019-09-11
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePANTUN Jurnal Ilmiah Seni Budaya (JOURNAL)
Journal identifiersISSN: 2407-7143 • E-ISSN: 2715-7350
PublisherInstitut Seni Budaya Indonesia Bandung (PUBLISHER • ID)
DOI10.26742/pantun.v1i2.747
OpenAlexW2955642922
LanguageEN
Citations received28

This article is part of the Competitive Grants study entitled “Prototipe Gamelan Sistem Sepuluh Nada dalam Satu Gembyang.” The concept of ten tones in one gembyang (oktav) has once been formulated by Raden Angga Mahyar Kusumadinata, Indonesian musicologist. In Balinese, gamelan scales with ten-tone system are wri!en in the Prakempa manuscript. This interesting musical concept has not been thoroughly investigated. The previous research has produced a prototype set of ten system gamelan tones in one gembyang whose try out uses the existing gending Bali.This research is expected to provide significant contribution in supporting the creativity of Karawitan artists.Balinese Karawitan Artists no longer need to carry a lot of gamelan to play all the Balinese gamelan since they are already represented in the gamelan of ten tones system in one gembyang.Keywords: gamelan, ten-tone, gembyang, prakempa

Art · Creativity · Indonesian · Linguistics · Literature · Tone (literature · Visual arts · Cultural and Artistic Studies · Philosophy · Psychology · Social Psychology

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