State Propaganda in China's Entertainment Industry
Bibliographic Data
| ID | 7524685 |
|---|---|
| Authors | Shenshen Cai (corresponding author) |
| Year | 2016 |
| Publication date | 2016-05-20 |
| Open Access | No |
| Type | BOOK |
| Venue | State Propaganda in China's Entertainment Industry (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315637082 |
| OpenAlex | W2507815516 |
| Open Library | OL39605924M |
| ISBN | 9781315637082 |
| Language | EN |
| Citations received | 23 |
Most current research on the evolution of China’s propaganda discourse only touches upon recent variations of official propaganda rhetoric grounded in popular media. Here, the research is extended by tapping into the most recently released popular cultural media narratives such as online documentaries, films, TV drama serials and education programs, all of which are enlisted and co-opted by the state for propaganda goals. This book maps out the cutting-edge expansions of official propaganda that are embedded in the entertainment industry of contemporary China. Its case studies bring to light the progression of the mainstream propaganda discourse in terms of its merging, cooperation and compromise with the commercial features of both the traditional and newly-emerging entertainment media. In particular, it examines a group of mass entertainment products which include two best-selling mainstream blockbusters, two on-line commercial web documentaries, the China Central Television Moon Festival Gala series, socialist revolutionary TV drama serials, and a prime time science and education program. In so doing, it forefronts the up-to-date developments and novelties of state propaganda: its motives, reasoning and approaches within the mediasphere of today’s China. Illustrating how the CCP propaganda apparatus and tactics evolve and become embedded in popular media products, this book will be of interest to students and scholars of Chinese studies, Media Studies and Popular Cultural Studies
Advertising · Business · China · Entertainment · Entertainment industry · Media studies · Political science · Sociology · State (computer science · Asian Culture and Media Studies · Computer Science · History · Law · Arts du spectacle · Chinese Propaganda · General · Mass media · Mass media and propaganda · Medias et propagande · Nationalism · Nationalisme · Performing Arts · Political aspects · Political Culture · Politics and culture · Politique et culture · Propaganda, chinese · Propagande chinoise · Social Science
Restyling propaganda
China’s film reward and penalty policy after its World Trade Organisation membership
Fandom Culture as a Catalyst for Propaganda
Cultural distance perceived by Chinese audiences in the Korean film Silenced
Ten postulates of a media imperialism framework
Occupying” the Internet
Constructing the ultimate “leftover women”
Non-digital fan networking
Cannibalizing collective memory
Introduction
Aesthetic Subjectification Through Ambivalent Play
Losing 640 million RMB with one finger’
Together, We Achieve the China Dream
Shipping on the edge
Propaganda and Skepticism
The Russia-Ukraine War in Chinese Social Media
Participatory Censorship With Illusory Empowerment
Engineering nationalism
Governing entertainment celebrities in China
Chinese celebrity dossier
The socialization of nationalist and socialist values
Mao's Homeworld(s) - A comment on the use of propaganda posters in post-war China
Tracing the Bunny
| Unique citing works | 23 |
|---|---|
| Citations per year | 2,88 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 23 |