A Hermeneutics of Spatialization for Recorded Song
Bibliographic Data
| ID | 8068490 |
|---|---|
| Authors | Allan F Moore, Patricia L Schmidt, Patricia Schmidt, Ruth Dockwray |
| Year | 2009 |
| Volume | 6 |
| Issue | 1 |
| Pages | 83-114 |
| Publication date | 2009-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | twentieth-century music (JOURNAL) |
| Journal identifiers | ISSN: 1478-5722 • E-ISSN: 1478-5730 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1478572210000071 |
| OpenAlex | W2142716661 |
| Language | EN |
| Citations received | 11 |
| References cited | 22 |
This article is one of a series exploring the spatialization of sound sources in recorded songs and how they may be understood (see also ‘The Virtual Performance Space in Rock’, twentieth-century music 5/2). Its theoretical basis is multi-faceted, utilizing notions of ecological perception, of the sound-box, of the singer's persona, and of interpersonal distance in communication, as well as further concepts from cognitive science. It focuses particularly on image schemata and proxemics , exemplifying them across a range of genres, while also addressing them critically, for instance from a feminist perspective. Finally, it explores how this theoretical basis helps us not only to understand the contribution of spatialization to the interpretation of songs and their meanings, but also to shed light on the role of other musical domains
Art · Epistemology · Human–computer interaction · Interpersonal communication · Interpretation (philosophy · Linguistics · Musical · Perception · Persona · Perspective (graphical · Proxemics · Sociology · Spatialization · Visual arts · Anthropology · Computer Science · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Artificial Intelligence · Communication · Philosophy
Sonic Proxemics and the Art of Persuasion
“To Be Polished More than Extended”: Musicianship, Masculinity, and the Critical Reception of Southern Rock
The effects of ensemble singing on heaviness in metal music
Absorbed Concert Listening
Space within Space
What Does ASMR Sound Like? Composing the Proxemic Intimate Zone in Contemporary Music
Social distance and the multimodal construction of the Other in sectarian song
Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings
Voice Leading and Text-Music Relations in David Bowie's Early Songs
Analyzing Vocal Placement in Recorded Virtual Space
Framing intimacy
The hidden dimension
Ways of Listening
Metaphor in Culture
The Meaning of the Body
Auditory Scene Analysis
Mappings in Thought and Language
Conceptualizing Music
The Body in the Mind
"Something in the Way She Moves"-Metaphors of Musical Motion
Where is Here? An Issue of Deictic Projection in Recorded Song
Women, Fire, and Dangerous Things
The Persona-Environment Relation in Recorded Song
Configuring the sound-box 1965-1972
The so-called 'flattened seventh' in rock
An analysis of Neil Young's 'Powderfinger' based on Mark Johnson's image schemata
A System for the Notation of Proxemic Behavior1
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,85 |
| Citation span | 2013 - 2025 (13) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 10 |