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The Black Arts Movement

Bibliographic Data

ID8917801
AuthorsLarry Neal (corresponding author)
Year1968
Volume12
Issue4
Pages29-39
Publication date1968-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1144377
OpenAlexW2797708767
LanguageEN
Citations received72

The Black Arts Movement is radically opposed to any concept of the artist that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America. In order to perform this task, the Black Arts Movement proposes a radical reordering of the western cultural aesthetic. It proposes a separate symbolism, mythology, critique, and iconology. The Black Arts and the Black Power concept both relate broadly to the Afro-American's desire for self-determination and nationhood. Both concepts are nationalistic. One is concerned with the relationship between art and politics; the other with the art of politics

Aesthetics · Art · Black Power · Literature · Movement (music · Mythology · Political science · Politics · Power (physics · Sociology · The arts · Visual arts · Law · Race, History, and American Society

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Unique citing works72
Citations per year1,29
Citation span1970 - 2024 (55)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 62

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