Dinda L Gorlée
Biographic Data
| ID | 987393 |
|---|---|
| NAME | Dinda L Gorlée |
| GIVEN NAMES | Dinda L |
| FAMILY NAME | Gorlée |
| SIGNATURE | GORLÉE D L |
| AFFILIATIONS | University of Bergen |
| VERIFIED | No |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 20 |
| WORKS AS AUTHOR | 26 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
La semiótica triádica de Peirce y su aplicación a los géneros literarios
sin por eso dejar de ser de gran utilidad para todo estudioso serio del pensamiento, tanto semitico como no-semitico, de Peirce 2
Hacia una semiótica textual peirciana (I)
Hacia una semiótica textual peirceana (II)
Linguïculture
Sebeok started his career as an ethnographer, focusing on the verbal art of anthropology to describe the cultures associated with then-called “primitive” languages. He followed Bloomfield’s linguistics to study Boas’ anthropology of primitive art to investigate man as a civilized member of a native indigenous community with art-like speech habits. Sebeok’s earliest articles were ethnographic descriptions of non-Western folktales from the Cheremis…
Paraphrase or parasite
Translation, for Saussure, assumed the codified rule of language respecting the difference between synchronic and diachronic linguistics. Translation may be regarded as a theoretical possibility, though impossible for the creative speech of language speakers. Peirce’s logical semiotics reasoned the linguistic-and-cultural (linguïcultural) interpretants of received signs. Semiotranslation is a semiotic game to change the symbiosis of two languages…
Intersemioticity and intertextuality
Jakobson introduced the concept of intersemioticity as transmutation of verbal signs by nonverbal sign systems (1959). Intersemioticity generates the linguistic-and- cultural elements of intersemiosis (from without), crystallizing mythology and archetypal symbolism, and intertextuality (from within), analyzing the human emotions in the cultural situation of language-and-music aspects. The operatic example of Ibsen’s Peer Gynt (1867) intertextuali…
Kenneth L. Pike and science fiction
Kenneth L. Pike’s tagmemic explanation of his etic-emic equivalence corresponds to the notion of “approximate” translation. According to a weaker version of the Sapir-Whorf hypothesis, Pike’s cross-cultural and multilingual perspective of Bible translation approximates the duality and triadicity of Peirce’s immediate/emotional, dynamical/energetic, and final/logical interpretants. Pike’s astronautical examples of the artificial language Kabala-X …
From words and sentences to interjections
Interjections are exclamatory signs fostering a realistic conception of the perils and uncertainties of human experience. Natural interjections are reactionary signs in degenerate pre-signs (preverbs or prenouns), unconnected to other syntactic forms of grammar. The simplicity of natural interjections are distinguished from the more complex occasional interjections, expressed in full pseudo-sentences with grammatical constructions. The prehistory…
Wittgenstein’s persuasive rhetoric
Wittgenstein surprised with the rhetorical inversion of his style of writing, often at the expense of thought. In his works, he skillfully constructed the fragmentary paragraphs to solve the “confusions” of language. The result of Wittgenstein’s conscious endeavor is the persuasive effect of new reasoning in the “ornamental” type of the philosophical writings about language. Wittgenstein’s verbal genres are the interplay of deduction, induction, …
Wittgenstein in Translation
Goethe's glosses to translation
The logical and illogical unity of translation with a triadic approach was mediated by Peirce's three-way semiotics of sign, object, and interpretant. Semiotranslation creates a dynamic network of Peircean interpretants, which deal with artificial but alive signs progressively growing from undetermined ("bad") versions to higher determined ("good") translations. The three-way forms of translation were mentioned by Goethe. He imitated the old Pers…
The black box of translation
The mental processes of the black box — what happens in the translator's mind — is not open to direct scrutiny and its study must remain empirical. The black box is called “black” because we cannot see inside the “box” or any closed department of the multilingual brain. We explain the information of looking at the input (source text) and output (target text) to look at what happens in the neurophysiological brain of the translator. Peirce discuss…
A sketch of Peirce’s Firstness and its significance to art
This essay treats the growth and development of Charles S. Peirce’s three categories, particularly studying the qualities of Peirce’s Firstness, a basic formula of “airy-nothingness” (CP: 6.455) serving as fragment to Secondness and Thirdness. The categories of feeling, willing, and knowing are not separate entities but work in interaction within the three interpretants. Interpretants are triadomaniac elements through the adopted, revised, or cha…
Jakobson and Peirce
Metalinguistic operations signify understanding and translation, specified in Jakobson’s varieties of six language functions and his three types of translation. Both models were first presented in the 1950s. This article is rooted in Jakobson’s models in connection with Peirce’s three categories. Bühler’s three functions with qualitative difference anticipated, perhaps not accidentally, Jakobson’s distinctions indicating qualitative difference wi…
Wittgenstein as Mastersinger
Ludwig Wittgenstein inverted and transposed Richard Wagner's operatic pathos. He knew Wagner's opera Die Meistersinger von Nürnberg (The Mastersinger of Nuremberg) by heart and used to whistle the melodies. Die Meistersinger is no comic historical opera, as proclaimed by Wagner, but treats the issues of genius, artistic criticism, and the growth of art — with a flavor of nationalism and politics. Wagner's opera provides many triangles within Peir…
Vital signs of semio-translation
Peirce — both translator and translatee — left a certain indication of translation into a thousand tongues . Unfortunately, he did not expand on this idea any further, and its significance for semiotic purposes will require some interpretive extrapolation — as will be apparent in the contributions to this special section of Semiotica dedicated to the vital virtues (and errors) of semio-translation (a word I coined). The articles, written by semio…
Broken signs
Peirce's writings are understood and translated in their interweaved fragments without final form. The broken and unbroken fragmentary items of language correspond to degrees of tone, token, and type as Peirce's building blocks of his three superlative categories. The collective and private meanings of Firsts, Seconds, and Thirds are embodied in vague bricolages and grounding paraphrases toward the (maybe idealized) whole manuscript version. Semi…
Hints and guesses
Legal semiotics is an internationally proliferated subfield of general semiotics. The three-step principles of Peirce’s semiotic logic are the three leading categories: firstness, secondness and thirdness, grounded on the reverse principles of logic: deduction, induction and — Peirce’s discovery — abduction. Neither induction nor abduction can provide a weaker truth claim than deduction. Abduction occurs in intuitive conclusions regarding the pos…
Griegs swan songs
Bridging the gap ‐ a Semiotician's view on translating the Greek classics
Translating the authors of classical Antiquity is in many ways comparable to Bible translating: authoritative texts remote in time, language, and culture are deco(n)textualized, transcodified, then reco(n)textualized. This enables them to survive the ravages of time and reach out to future generations. A semiotic approach to translation ‐ semio‐translation ‐ explains the kinetic and ephemeral nature of all translational activity. According to her…
Pursomania
Depuis le Moyen Age, l'Eglise catholique condamne deux vices particuliers: la luxure et l'avarice. L'A. montre que l'avarice met en scene un individu impliques dans des rituels compulsifs associant acquisition, accumulation et retention de biens materiels et particulierement l'argent. L'avare est engage dans une poursuite sans fin destinee a generer des series infinies d'emotions, d'energies. Son attitude compulsive et obsessionnelle revele l'abs…
Handbook of semiotics
Symbolic Argument and beyond
Degeneracy
Wittgenstein et Peirce
Jakobson and Peirce
Metalinguistic operations signify understanding and translation, specified in Jakobson’s varieties of six language functions and his three types of translation. Both models were first presented in the 1950s. This article is rooted in Jakobson’s models in connection with Peirce’s three categories. Bühler’s three functions with qualitative difference anticipated, perhaps not accidentally, Jakobson’s distinctions indicating qualitative difference wi…
Degeneracy
Bridging the gap ‐ a Semiotician's view on translating the Greek classics
Translating the authors of classical Antiquity is in many ways comparable to Bible translating: authoritative texts remote in time, language, and culture are deco(n)textualized, transcodified, then reco(n)textualized. This enables them to survive the ravages of time and reach out to future generations. A semiotic approach to translation ‐ semio‐translation ‐ explains the kinetic and ephemeral nature of all translational activity. According to her…
Hints and guesses
Legal semiotics is an internationally proliferated subfield of general semiotics. The three-step principles of Peirce’s semiotic logic are the three leading categories: firstness, secondness and thirdness, grounded on the reverse principles of logic: deduction, induction and — Peirce’s discovery — abduction. Neither induction nor abduction can provide a weaker truth claim than deduction. Abduction occurs in intuitive conclusions regarding the pos…
Goethe's glosses to translation
The logical and illogical unity of translation with a triadic approach was mediated by Peirce's three-way semiotics of sign, object, and interpretant. Semiotranslation creates a dynamic network of Peircean interpretants, which deal with artificial but alive signs progressively growing from undetermined ("bad") versions to higher determined ("good") translations. The three-way forms of translation were mentioned by Goethe. He imitated the old Pers…
A sketch of Peirce’s Firstness and its significance to art
This essay treats the growth and development of Charles S. Peirce’s three categories, particularly studying the qualities of Peirce’s Firstness, a basic formula of “airy-nothingness” (CP: 6.455) serving as fragment to Secondness and Thirdness. The categories of feeling, willing, and knowing are not separate entities but work in interaction within the three interpretants. Interpretants are triadomaniac elements through the adopted, revised, or cha…
Broken signs
Peirce's writings are understood and translated in their interweaved fragments without final form. The broken and unbroken fragmentary items of language correspond to degrees of tone, token, and type as Peirce's building blocks of his three superlative categories. The collective and private meanings of Firsts, Seconds, and Thirds are embodied in vague bricolages and grounding paraphrases toward the (maybe idealized) whole manuscript version. Semi…
Firstness, Secondness, Thirdness, and Cha(u)nciness
Wittgenstein et Peirce
Degeneracy
Symbolic Argument and beyond
Bridging the gap ‐ a Semiotician's view on translating the Greek classics
Translating the authors of classical Antiquity is in many ways comparable to Bible translating: authoritative texts remote in time, language, and culture are deco(n)textualized, transcodified, then reco(n)textualized. This enables them to survive the ravages of time and reach out to future generations. A semiotic approach to translation ‐ semio‐translation ‐ explains the kinetic and ephemeral nature of all translational activity. According to her…
Pursomania
Depuis le Moyen Age, l'Eglise catholique condamne deux vices particuliers: la luxure et l'avarice. L'A. montre que l'avarice met en scene un individu impliques dans des rituels compulsifs associant acquisition, accumulation et retention de biens materiels et particulierement l'argent. L'avare est engage dans une poursuite sans fin destinee a generer des series infinies d'emotions, d'energies. Son attitude compulsive et obsessionnelle revele l'abs…
Handbook of semiotics
Griegs swan songs
Hints and guesses
Legal semiotics is an internationally proliferated subfield of general semiotics. The three-step principles of Peirce’s semiotic logic are the three leading categories: firstness, secondness and thirdness, grounded on the reverse principles of logic: deduction, induction and — Peirce’s discovery — abduction. Neither induction nor abduction can provide a weaker truth claim than deduction. Abduction occurs in intuitive conclusions regarding the pos…
Vital signs of semio-translation
Peirce — both translator and translatee — left a certain indication of translation into a thousand tongues . Unfortunately, he did not expand on this idea any further, and its significance for semiotic purposes will require some interpretive extrapolation — as will be apparent in the contributions to this special section of Semiotica dedicated to the vital virtues (and errors) of semio-translation (a word I coined). The articles, written by semio…
Broken signs
Peirce's writings are understood and translated in their interweaved fragments without final form. The broken and unbroken fragmentary items of language correspond to degrees of tone, token, and type as Peirce's building blocks of his three superlative categories. The collective and private meanings of Firsts, Seconds, and Thirds are embodied in vague bricolages and grounding paraphrases toward the (maybe idealized) whole manuscript version. Semi…
Jakobson and Peirce
Metalinguistic operations signify understanding and translation, specified in Jakobson’s varieties of six language functions and his three types of translation. Both models were first presented in the 1950s. This article is rooted in Jakobson’s models in connection with Peirce’s three categories. Bühler’s three functions with qualitative difference anticipated, perhaps not accidentally, Jakobson’s distinctions indicating qualitative difference wi…
Wittgenstein as Mastersinger
Ludwig Wittgenstein inverted and transposed Richard Wagner's operatic pathos. He knew Wagner's opera Die Meistersinger von Nürnberg (The Mastersinger of Nuremberg) by heart and used to whistle the melodies. Die Meistersinger is no comic historical opera, as proclaimed by Wagner, but treats the issues of genius, artistic criticism, and the growth of art — with a flavor of nationalism and politics. Wagner's opera provides many triangles within Peir…
A sketch of Peirce’s Firstness and its significance to art
This essay treats the growth and development of Charles S. Peirce’s three categories, particularly studying the qualities of Peirce’s Firstness, a basic formula of “airy-nothingness” (CP: 6.455) serving as fragment to Secondness and Thirdness. The categories of feeling, willing, and knowing are not separate entities but work in interaction within the three interpretants. Interpretants are triadomaniac elements through the adopted, revised, or cha…
The black box of translation
The mental processes of the black box — what happens in the translator's mind — is not open to direct scrutiny and its study must remain empirical. The black box is called “black” because we cannot see inside the “box” or any closed department of the multilingual brain. We explain the information of looking at the input (source text) and output (target text) to look at what happens in the neurophysiological brain of the translator. Peirce discuss…
Wittgenstein in Translation
Goethe's glosses to translation
The logical and illogical unity of translation with a triadic approach was mediated by Peirce's three-way semiotics of sign, object, and interpretant. Semiotranslation creates a dynamic network of Peircean interpretants, which deal with artificial but alive signs progressively growing from undetermined ("bad") versions to higher determined ("good") translations. The three-way forms of translation were mentioned by Goethe. He imitated the old Pers…
Kenneth L. Pike and science fiction
Kenneth L. Pike’s tagmemic explanation of his etic-emic equivalence corresponds to the notion of “approximate” translation. According to a weaker version of the Sapir-Whorf hypothesis, Pike’s cross-cultural and multilingual perspective of Bible translation approximates the duality and triadicity of Peirce’s immediate/emotional, dynamical/energetic, and final/logical interpretants. Pike’s astronautical examples of the artificial language Kabala-X …
From words and sentences to interjections
Interjections are exclamatory signs fostering a realistic conception of the perils and uncertainties of human experience. Natural interjections are reactionary signs in degenerate pre-signs (preverbs or prenouns), unconnected to other syntactic forms of grammar. The simplicity of natural interjections are distinguished from the more complex occasional interjections, expressed in full pseudo-sentences with grammatical constructions. The prehistory…
Wittgenstein’s persuasive rhetoric
Wittgenstein surprised with the rhetorical inversion of his style of writing, often at the expense of thought. In his works, he skillfully constructed the fragmentary paragraphs to solve the “confusions” of language. The result of Wittgenstein’s conscious endeavor is the persuasive effect of new reasoning in the “ornamental” type of the philosophical writings about language. Wittgenstein’s verbal genres are the interplay of deduction, induction, …
Intersemioticity and intertextuality
Jakobson introduced the concept of intersemioticity as transmutation of verbal signs by nonverbal sign systems (1959). Intersemioticity generates the linguistic-and- cultural elements of intersemiosis (from without), crystallizing mythology and archetypal symbolism, and intertextuality (from within), analyzing the human emotions in the cultural situation of language-and-music aspects. The operatic example of Ibsen’s Peer Gynt (1867) intertextuali…
Paraphrase or parasite
Translation, for Saussure, assumed the codified rule of language respecting the difference between synchronic and diachronic linguistics. Translation may be regarded as a theoretical possibility, though impossible for the creative speech of language speakers. Peirce’s logical semiotics reasoned the linguistic-and-cultural (linguïcultural) interpretants of received signs. Semiotranslation is a semiotic game to change the symbiosis of two languages…
Linguïculture
Sebeok started his career as an ethnographer, focusing on the verbal art of anthropology to describe the cultures associated with then-called “primitive” languages. He followed Bloomfield’s linguistics to study Boas’ anthropology of primitive art to investigate man as a civilized member of a native indigenous community with art-like speech habits. Sebeok’s earliest articles were ethnographic descriptions of non-Western folktales from the Cheremis…
La semiótica triádica de Peirce y su aplicación a los géneros literarios
sin por eso dejar de ser de gran utilidad para todo estudioso serio del pensamiento, tanto semitico como no-semitico, de Peirce 2
Hacia una semiótica textual peirciana (I)
Philosophy (22 works) · Linguistics (16 works) · Art (13 works) · Semiotics (10 works) · Historical Linguistics and Language Studies (9 works) · Epistemology (8 works) · Literature (8 works) · Translation Studies and Practices (7 works) · Philosophy (6 works) · Pragmatism in Philosophy and Education (6 works)