Documentary Expression and Thirties America
Bibliographic Data
| ID | 10235135 |
|---|---|
| Authors | Thomas A Krueger (corresponding author), William R Stott |
| Year | 1974 |
| Volume | 40 |
| Issue | 3 |
| Pages | 506 |
| Publication date | 1974-08-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Documentary expression and thirties America., William Stott, 1973 |
| Venue | The Journal of Southern History (JOURNAL) |
| Journal identifiers | ISSN: 0022-4642 • E-ISSN: 2325-6893 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2206532 |
| OpenAlex | W2075255833 |
| Language | EN |
A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain.-Hilton Kramer, New York Times Book Review [Scott] might be called the Aristotle of documentary. No one before him has so comprehensively surveyed the achievement of the 1930s, suggesting what should be admired, what condemned, and why; no one else has so persuasively furnished an aesthetic for judging the form.-Times Literary Supplement
Aesthetics · Art · Art history · Censorship · Dance · Journalism · Literature · Media studies · Painting · Persuasion · Political science · Politics · Rhetoric · Sociology · Subject (documents · The arts · Visual arts · Cinema and Media Studies · History · Law · Literature, Film, and Journalism Analysis · Philosophy
Scrap Modernism
Objects of emancipation
La mirada del refugiado colombiano a partir del análisis de Parábola del retorno (Juan Soto, 2016, Colombia)
Van Gogh in Alabama, 1936
Recharging at the Fordyce
Conclusion
Memory as Identity
Zora Neale Hurston and the Federal Folk
Don't Let Me Be Lonely
Representing the unrepresented
FSA Photography as Street and Social Landscape Photography
The Nanking Atrocity
Journalism's “Last” Stand
Photography between Desire and Grief
The Feeling of Photography, the Feeling of Kinship
"Race, Photography, Labor, and Entrepreneurship in the Life of Maurice Hunter, Harlem's "Man of 1,000 Faces
Imagining Racial Equality
Radio news in Thirties America
Visualizing “the people”
The rhetorical structure of Frederick Wiseman's primate
Inventing the "Found" Object
George Oppen's “`I've Seen America' Book”
Performance and Memory
The critical marginalization of American literary journalism
La mirada femenina a cine etnográfico documental. Reassemblage (Trinh T. Minh-ha, 1982)
Photography, Memory and Nostalgia
Back on the Chain Gang
What remains of Abu Ghraib
Containing culture in the Cold War
Say, Is This the USA'? Documenting Modernity in Cuba and the US South
An Equation of Collectivity
Kodachrome Plantation
New Critical Essays on James Agee and Walker Evans
Khushwant Singh’s Train to Pakistan and Margaret Bourke-White’s Partition Photographs
First-person Plural
Facing the Fact
To Watch the Faces of the Poor
Ernest Cole
Aesthetics of protest
Vision of a New State
Photography, Objectivity and the Modern Newspaper
Analyzing Historical Photographs
Creating a Favorable Business Climate
Our Singing Country
(Re)Collecting the Past
Proletarian Literature from the Bottom Up
The Testifying Eye
Film and American Studies
Programs for Posterity
Between Documentation and Dramatization
Constructing Palestinians
Documentary Images
The visibility of poverty
Culture and Cultural Analysis as Experimental Systems
Hollywood on Trials
The City
Cultural governance and pictorial resistance
Documentary Photography in American Social Welfare History
Visual Historical Methods
Producing Visual Traditions Among Workers
The harlot's progress in American fiction and film, 1900–1930
Something like Bringing the Entire Life”
A Note on New Deal Iconography
The Natural Scene and the Social Good
Poverty in the Valley of Plenty
People of the Cumberland (1938)
| Highly cited | No |
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