On Nonhuman Sound—Sound as Relation
Bibliographic Data
| ID | 20045784 |
|---|---|
| Authors | G Born (0000-0002-4056-9053, corresponding author) |
| Year | 2019 |
| Pages | 185-207 |
| Publication date | 2019-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Sound Objects (SOURCE_BOOK) |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/9781478002536-010 |
| OpenAlex | W3082048045 |
| ISBN | 9781478002536 |
| Language | EN |
| Citations received | 16 |
| References cited | 174 |
Acoustics · Physics · Computer Science · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis
Listening to/with Mar Paradoxo
Crash, boom, bang
Deadly Barks
L’écoute « en aveugle » dans les pratiques plastiques du son de Lars Fredrikson et Max Neuhaus
Transitional Justice and the Significance of More-Than-Human Worlds
Listening otherwise
Dragging Music
Using music streaming data for research
Beyond identity embodiment
Sound acts
Musicking assemblages and non-human becomings
Sounding the Voice of Tolerance
Involving Experiences
Constructing a Poetics of Connections
Postextinction Geographies
Music, Mediation Theories and Actor-Network Theory
On Becoming a Rock Musician
Contested culture
Philosophical writings
Essays in radical empiricism
Noise
Edmund Husserl's Origin of Geometry
The acoustic mirror
The Auditory Culture Reader
Dumbstruck
Treatise on Musical Objects
Max Horkheimer and the Foundations of the Frankfurt School
Mechanical Sound
New Documentary
Writing Diaspora
Noise, Water, Meat
The Skin of the Film
Zur Phänomenologie der Intersubjektivität
After Finitude
Margins of Philosophy
Immaterial Bodies
A Voice and Nothing More
The Make-Believe Space
How We Became Posthuman
Listening and Voice
Powers of Horror
Japanoise
Critique of the Power of Judgment
Listening to Noise and Silence
For More than One Voice
How Forests Think
Sound Unseen
Problems of Dostoevsky's Poetics
Sounds
The Sound Studies Reader
On the Phenomenology of the Consciousness of Internal Time (1893–1917)
Injury
On Musical Mediation
Spectromorphology
Acoustemology
The Oxford Handbook of Timbre
The Symbolic Species
Úvod do sociologie hudby
Distinction
The Birth of the Clinic
Non-Representational Theory
Cultural Capital
The Social after Gabriel Tarde
The Social Life of Things
Image/Music/Voice
Dialectic of EnLIGHTenment
Music as Torture / Music as Weapon
Two. From the Other to the Abject
The Essential Frankfurt School Reader
Sonic Time Machines
Sonic Bodies
Stages of Emergency
Sirens of the Western Shore
Programmed Visions
Too-Blue
Reassembling the Social
The Logic of Practice
Beyond Nature and Culture
A.N. Whitehead and Subjectivity
Mediate Auscultation, the Stethoscope, and the “Autopsy of the Living”
What in the World Do We Hear
Soundscape of Modernity
Visualizing Piano Playing, 1890–1930
Production, Consumption, Prosumption
The sonic self
Ontography
The ‘New Materialism’ and the Fragility of Things
Moving Lips
A Conversation on Concrete Music and Kinetic Art
Conventions of Sound in Documentary
Playing with Something That Runs
Sounds
Sound and Sentiment
Sensing Sound
Listening to War
The Oxford Handbook of Sound Studies
Acoustic Jurisprudence
Radicals and Realists in the Japanese Nonverbal Arts
Thinking Through Things
New Philosophy of Society
The Theology of Sound
Entanglements, or Transmedial Thinking about Capture
The Force of Things
Sign, Affect, and Musicking before the Human
Listening Against Soundscapes
Toward a New Organology
Animation in Palaeolithic art
Listening, Mediation, Event
The Subjectivities of 'Erbarme Dich
For the Record
The Routledge Companion to Film and Philosophy
Sound studies without auditory culture
The Burrow of Sound
Descartes's Resonant Subject
Jean-Luc Nancy and the Listening Subject
Affect
| Unique citing works | 16 |
|---|---|
| Citations per year | 2 |
| Citation span | 2018 - 2025 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 16 |