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Undergraduate Choral Conducting Courses

Examining Students’ Practice Behaviors and Instructors’ Pedagogy

Bibliographic Data

ID21635533
AuthorsBradley J Regier (0000-0003-1229-7959, Illinois Wesleyan University, Bloomington, USA, corresponding author), Alec D Scherer (0000-0002-3919-9948, Texas State University, San Marcos, USA), Brian A Silvey (0000-0002-5903-6273, University of Missouri), Melissa Baughman (0000-0002-7907-0698, The University of Oklahoma, Norman, USA)
Year2022
Volume31
Issue3
Pages66-80
Publication date2022-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Music Teacher Education (JOURNAL)
Journal identifiersISSN: 1057-0837 • E-ISSN: 1945-0079
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/10570837221076382
OpenAlexW4213279730
LanguageEN
Citations received6
References cited26

The purpose of this study was to investigate undergraduate choral conducting students’ conducting practice approaches, time allocation, and beliefs. A secondary purpose was to examine conducting instructors’ pedagogy and beliefs about their students’ practice approaches. Undergraduate students enrolled in an introductory choral conducting class ( N = 126) and their instructors ( N = 12) responded to separate questionnaires. Students and instructors agreed that technical skills came more naturally than expressive skills, and students reported practicing technical skills more often than expressive skills. Although instructors and students agreed to the frequent use of “singing or humming musical lines” as a practice strategy, they did not align regarding the importance of using video recordings within practice sessions. Based on our results, we recommend that instructors explicitly share their practice expectations with students and introduce an incremental approach to developing expressive conducting skills earlier in the curriculum

Choir · Curriculum · Hum · Mathematics education · Medical education · Pedagogy · Singing · Computer Science · Diverse Music Education Insights · Medicine · Music Education and Analysis · Neuroscience and Music Perception · Psychology

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Unique citing works6
Citations per year6
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 6

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