Music Modernity and God
Essays in Listening
Bibliographic Data
| ID | 23191656 |
|---|---|
| Authors | Jeremy Begbie (0009-0003-7406-316X, Thomas A. Langford Research Professor of Theology, Duke University) |
| Year | 2013 |
| Pages | 261 |
| Publication date | 2013-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Music Modernity and God (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780199292448.001.0001 |
| ISBN | 9780199292448 |
| Open Library | OL26124283M |
| Language | EN |
| Citations received | 6 |
| References cited | 237 |
When the story of modernity is told from a theological perspective, music is routinely ignored -- despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, in this collection of essays Jeremy Begbie aims to show that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther, and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.
Christianity · Music · Music and language · Music, christianity · Music, religious aspects, christianity · Religious aspects · Social aspects
James MacMillan Studies
Embracing extravagance, abandoning limits
Metrical Psalm-Singing and Emotion in Scottish Protestant Affective Piety, 1560–1650
Over-Generalizing, Under-Promising, and Over-Promising
TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music
The Liturgical Use of the Organ in the Sixteenth Century
Musical Representations, Subjects, and Objects
Bach
The Natural Goodness of Man
Critique of the Power of Judgment
The Sense of an Ending
Sounds
Analysing Musical Multimedia
Visual Culture
The Theological Origins of Modernity
Schleiermacher
Luther théologien de la musique
Living with Unintended Consequences
A Civitas of Sound
Luther's Understanding of Imputatio in the Context of his Doctrine of Justification and Its Consequences for the Preaching of the Gospel
Ecclesia ex Auditu A Reformed View of the Church as the Community of the Word of God
Union and Communion
“God's Capellmeister”
Devotional Life In Hymns, Liturgy, Music, And Prayer
Postliberal theology
Death and Life in J. S. Bach's Cantata Ich habe genung (BWV 82)
Contingency, Irony, and Solidarity
Music and Lutheranism
God Was Accommodating Himself to Human Capacity
Calvin, Osiander and Participation in God
God and Grace of Body
Metaphors of Time and Modernity in Bach
The psalms as a mark of Protestantism
Friedrich Schleiermacher On Religion
War against the Idols
God and Mystery in Words
Covenant or Contract?
The Cambridge History of Nineteenth-Century Music
Bucer's influence on Calvin
John Calvin, the Church and the Eucharist
Analyzing Bach Cantatas
Humankind in Christ and Christ in Humankind
Image and Word in the Theology of John Calvin
Singing the Gospel
The Unintended Reformation
Bach's Dialogue with Modernity
The Cambridge Companion to Reformation Theology
The Aesthetics of Mimesis
The role of harmonics in the scientific revolution
The Unaccommodated Calvin
The Cambridge Companion to Bach
Lutheran Ecclesiastical Culture, 1550-1675
Divine and Contingent Order
Measure of a Different Greatness
Calvin, Participation, and the Gift
Calvin on deification
The Question of Nature and Grace in Karl Barth
Reflections on Where We Have Come From
Absolute Music and the Construction of Meaning
Rethinking music
Studies in music with text
Leading a Human Life
Faith and Its Critics
The Wisdom of the World
Music and the Origins of Language
The One, the Three and the Many
Christ, Justice and Peace
The Social Creation of Nature
John Calvin and the Presbyterian Psalter
Integrating Music Into Intellectual History
The Literary Process of Modernism from Rousseau to Adorno
Bedazzled by Breakthrough
Reformed Arts? Reformation and Visual Culture in Sixteenth‐Century England
The Origins of Calvin's Theology of Music
Motive and Motif in the Church Music of Johann Sebastian Bach
Outlines of a New Picture of Bach
Music in the Educational Philosophy of Martin Luther
Rousseau and Music in the French Enlightenment
Rousseau, Rameau, and Enharmonic Furies in the French Enlightenment
Space and Relativity in Newton and Leibniz
"Eighteenth-Century Science and the "Corps Sonore
Music Analysis in the Nineteenth Century
Music and the Ineffable
Metaphors we live by
Affective mapping
Sounds and perception
Music, philosophy, and modernity
Upheavals of thought
German music criticism in the late eighteenth century
"Politics as the Imitation of the Divine in Rousseau's "Social Contract
Discipleship and Imagination
Ocularcentrism and its Others
What's the Big Idea? Intellectual History and the Longue Durée
Music and Ideology
Towards the analysis of the relationship of music and text in contemporary composition
Aspects of the Music/Text Relationship in Rap
The Harmony between Rousseau's Musical Theory and His Philosophy
The Subjectivities of 'Erbarme Dich
Defining the Term 'Absolute Music' Historically
Newton, Creation, and Perception
The Romantic Conception of Life
Music, Language, and What Falls in Between
The Perception of the Environment
Politics of Nature
Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy
Musical Time/Musical Space
| Citations per year | 0.5 |
|---|---|
| Citation span | 2014 - 2022 (9) |
| Highly cited | No |