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Scotland's Transnational Heritage

Legacies of Empire and Slavery

Bibliographic Data

ID23763591
AuthorsEsme Allman (corresponding author), Mona Bozdog (0000-0001-7683-0658), Daisy Chamberlain, Tom Cunningham (0000-0002-9550-4353), Henry Dee (0000-0003-2573-9541), Sim'oogit Duuḵ, Joel Fagan, Bashabi Fraser (0000-0001-9262-1557), Maryam Helmi, Teleica Kirkland, Sarah Laurenson, Hannah McGurk, Nicôle Meehan (0000-0001-5842-8526), William Moore (0000-0002-0929-2228), Meredith More, Cristina Moreno Lozano (0000-0002-0403-2881), Michael Morris (0000-0003-4010-3795), Amy Parent, Jeni Reid, Natasha Ruwona, Rosie Spooner (0000-0002-9594-552X), Noxs Ts'aawit, Sally Tuckett (0000-0002-8696-688X)
EditorsEmma Bond (0000-0002-2084-4468)
Year2022
Publication date2022-11-30
Open AccessNo
TypeBOOK
VenueScotland's Transational Heritage (SOURCE_BOOK)
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.1515/9781474493529
OpenAlexW4310516082
ISBN9781474493529
LanguageEN

Outlines the legacies of Empire in Scotland and offers practical methods for diversifying the stories we tell about them Emphasises Scotland’s role as a transnational agent in networks of empire and colonialism Outlines new historical examples of how Scotland’s trades and institutions benefitted from Empire Offers innovative examples of new methods for telling transnational heritage stories Provides examples of new creative practices that illuminate Scotland’s role in the Transatlantic Slave System How do we re-think the way Scotland’s history is told today? In the current context of calls to decolonise both the museum and the academy, how do we tell the stories of Scotland’s role in networks of colonialism? Scotland’s Transnational Heritage draws on the expertise of academics, museum professionals and creative practitioners working together to re-think the way that the transnational histories of Scotland are being told today. It outlines new historical examples of how Scottish trades and institutions benefitted from Empire. It gathers examples of contemporary case studies and innovative practices in storytelling that engage and inform. The book aims to inspire heritage and museum staff and academics to create new approaches to these histories, both in Scotland and beyond. It provides a timely snapshot of the exciting and diverse work taking place in the field in Scotland today.

Archaeology · Art · British Empire · Colonialism · Context (archaeology) · Empire · Literature · Media studies · Narrative · Snapshot (computer storage) · Sociology · Storytelling · Visual arts · History · Irish and British Studies · Scottish History and National Identity

Citation velocityhistorical
Highly citedNo

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