Global Noise
Rap and Hip-Hop outside the USA
Bibliographic Data
| ID | 2468705 |
|---|---|
| Authors | Kirsten Zemke‐white (University of Auckland, corresponding author) |
| Year | 2003 |
| Volume | 30 |
| Issue | 2 |
| Pages | 326-327 |
| Publication date | 2003-05-01 |
| Open Access | Yes |
| Type | REVIEW |
| Review of | Global noise: Rap and hip-hop outside the USA, Tony Mitchell, 2001 |
| Venue | American Ethnologist (JOURNAL) |
| Journal identifiers | ISSN: 0094-0496 • E-ISSN: 1548-1425 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/ae.2003.30.2.326.1 |
| OpenAlex | W2028326564 |
| Language | EN |
Global Noise: Rap and Hip-Hop outside the USA. Daniel Miller. ed. Oxford: Berg, Wesleyan University Press, 2001. ix. 336 pp., photographs, index
Art · Hop (telecommunications · Index (typography · Media studies · Miller · Noise (video · Sociology · Telecommunications · Artificial Intelligence · Computer Science · Geology · Music History and Culture
Non-heroic DIY in the (new) no future
Aquí en el Ghetto
Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene
Transidiomaticity and transperformances in Brazilian queer rap
Linguagem e arte em contextos interculturais
Bilingual rapping in Yucatán, Mexico
Keeping It Real in Chinese Hip-Hop
I sing of Te Aitu o Te Rangi and the power of song to rejuvenate the principles, values and philosophy of Mana Wahine
Hip-Hop as Urban and Regional Research
Mediatising Resistance to Contemporary Fascism on Youtube
Every Brilliant Eye
Counterorienting the war on terror: Arab hip hop and diasporic resistance
Choreographing in Color
Introduction
The Americanisation of Anti-Racism? Global Power and Hegemony in Ethnic Equity
Spaces and Networks of Musical Creativity in the City
Rhythmic idioms in Igbo hip hop music
The ‘street’ construct and mass-mediated identities in Nigerian hip hop
Glocalisation of Nigerian contemporary hip hop music
‘Take a back seat’
“He didn’t know what he was doin’”
‘The Vibe is Really Important’
Impoliteness in hip-hop music
Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods
Cosmopolitan preferences
Rapping the 'Better folk
Cultural imperialism, Americanisation and Cape Town hip‐hop culture
Nos e fidju la di gueto, nos e fidju di imigranti, fidju di Kabu Verdi
I am Maasai
Seeking Liberation, Facing Marginalization
Arte, cultura e política na história do rap nacional
Negotiating Hip Hop persons
Fabulous Transactions
Music and words against racism
"More Basque than You!"
Political Beats in the Alps
Transcultural flows and marginality
Mizrahi Rap in Israel
Keepin’ it Real in Central Europe
Legitimating Local Music
What Would I Look Like
Global Noise and Global Englishes
Rebel Song
Working musicians
Understanding Russophone Estonian Identity Through Popular Culture
Framing a Black Pacific Ethnosphere
[Dr]illing in the name of
Seen and not heard
Contextualizing the voice of a female pop artist
Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene
Et si on changeait la musique? Déterminants sociaux des préférences pour le hip‐hop, le rap et les musiques urbaines en Grande Bretagne
Flowing Beyond Sectarian Ethno-politics
Culture, Communication and Hybridity
Can the Veil Be Cool
Microphone Czech, Keepin' It Real
Hip-Hopping Across China
Language, Localization, and the Real
Multilingual Codeswitching in Quebec Rap
Original London style”
Music and American Culture
A mystical cosmopolitanism
The Dialectics of European Hip‐hop
Micro-level language planning and YouTube comments
Moonwalking in Beijing
Making space, pushing time’
Rap, Recidivism and the Creative Self
Authorship, subjectivity and resistance in the mainstream
Musical identity and social change in Italy
Nationalism, Ethnic Rap, and the Kurdish Diaspora
Hip hop as decoration
Musical memory, heritage and local identity
The return of the prodigal B-boy
Australian Hip Hop
Educating for cultural citizenship
Geography of American rap
The Musical Routes of the Spanish Black Atlantic
Hip-Hop Quebec
My White, Blue, and Red Heart”
Culture and Race/Ethnicity
Our generation is opening its eyes
Sonic spaces, spiritual bodies
Pedagogy in Common
Life in a northern (Australian) town
Travelling Songs
The Soundscapes of Resistance
Global Sounds
The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music
Crossing and crossers in East Asian pop music
Hybridity and the rise of Korean popular culture in Asia
Negotiating Risk and Promoting Empowerment through Rap Music
Naija boy remix
MDA as a Research Method of Generic Musical Analysis for the Social Sciences
Beur/Maghribi musical interventions in France
Soundtracks of citizenship
Articulações entre a rua e o digital nas práticas culturais juvenis
Populist in form, nationalist in content? Law and Justice, nationalism and memory politics
Popular culture, de-centering educators and critical dispositions1
From rhymes to revelation
Appropriating the language of the other
Enough is Enough
| Highly cited | No |
|---|