Genre, heteroglossic performances, and new identity
Stand-up comedy in modern French society
Bibliographic Data
| ID | 2864997 |
|---|---|
| Authors | Cécile B Vigouroux (0000-0002-3713-8682, Simon Fraser University, corresponding author) |
| Year | 2015 |
| Volume | 44 |
| Issue | 2 |
| Pages | 243-272 |
| Publication date | 2015-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Language in Society (JOURNAL) |
| Journal identifiers | ISSN: 0047-4045 • E-ISSN: 1469-8013 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0047404515000068 |
| OpenAlex | W2077165115 |
| Language | EN |
| Citations received | 19 |
| References cited | 59 |
This article analyses the ways in which stand-up comedy has been taken up by French comics of North and sub-Saharan African origins as a space of visibility and hearability. Following Bakhtin (1986), who argues that a genre reflects the social changes taking place in a society, I argue that such an appropriation should be considered as an important sociolinguistic fact that gives us privileged access to Hexagonal France's contemporary sociopolitical dynamics. I show that through their display of heteroglossic repertoires (viz. Maghrebi Arabic, several varieties of vernacular French, Hexagonal standard French, mesolectal African French, stylized chunks of English) comics challenge, at least symbolically, France's monoglot and highly centralized linguistic ideology. They also contribute to unsettling France's Republican model, which is marked by the institutional denial of the social and cultural diversity of the French population. The comics use heteroglossic resources to align with and disalign from multiple chronotopes associated with different social personae. From this emerges a new identity,urban,which both encompasses and transcends racial and ethnic categories. By contrast, I show that this identity is constructed through and received by the nonratified audience with ambivalence. (France, stand-up comedy, genre, urban, identity, chronotope, intertextuality
Aesthetics · Appropriation · Art · Comedy · Comics · Identity (music) · Linguistics · Literature · Sociology · Gender Studies · Gender Studies in Language · Linguistic and Sociocultural Studies · Linguistics and Discourse Analysis · Philosophy
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Genre, heteroglossic performances, and new identity
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The Matrix of Language
La jeunesse comme ressource
Metapragmatic discourse and metapragmatic function
The field of cultural production
Frame analysis
Crossing
Breakthrough Into Performance
Indexical order and the dialectics of sociolinguistic life
Old and New Identities, Old and New Ethnicities
Heteroglossia and Boundaries
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Questions of Cultural Identity
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Stylization, Authenticity and TV News Review
Seducing the French
Vocal Tracks
Across the Scales of Time
Citizenship, Republicanism and Multiculturalism in Contemporary France
Ideologies of legitimate mockery
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Genre as social action
Negotiation of identities in multilingual contexts
Cultural citizenship in France and le Bled among teens of pan-southern immigrant heritage
Stand-up
Les médias et la banlieue
La "darja", langue de culture en France
Staging language
Flight of the Conchords
Talking like a 'zerolingual
Genre, heteroglossic performances, and new identity
Ethnic Humor
La distinction, critique sociale du jugement
Voice, Footing, Enregisterment
Genre
Genre, Intertextuality, and Social Power
Discourse Genres in a Theory of Practice
Forum
Anti-Languages
Verbal Art as Performance1
France
The 'Other' Laughs Back
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Colonial Linguistics
The Value of Narrativity in the Representation of Reality
| Unique citing works | 19 |
|---|---|
| Citations per year | 1,73 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 19 |