Poetics of Audiovisual Translation
The Barber of Siberia on French Screen
Bibliographic Data
| ID | 2991822 |
|---|---|
| Authors | Vera E Gorshkova (Irkutsk State University, corresponding author) |
| Year | 2017 |
| Volume | 10 |
| Issue | 11 |
| Pages | 1700-1707 |
| Publication date | 2017-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Siberian Federal University Humanities & Social Sciences (JOURNAL) |
| Journal identifiers | ISSN: 1997-1370 • E-ISSN: 2313-6014 |
| Publisher | Siberian Federal University (PUBLISHER • RU) |
| DOI | 10.17516/1997-1370-0167 |
| OpenAlex | W2772658833 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
A comprehensive review of poetics from view points of literary studies, cinematography and translation allows the author of the paper to derive a notion of audiovisual translation poetics. It is stated that while translating a film one has to consider a subjective poetic vision of the film director that determines the genre of the cinema of poetry in terms by P.P. Pasolini and J. Genevray. The author’s speculations are illustrated by a case study of the Barber of Siberia, a feature film by Nikita Mikhalkov
Art · Art history · Literature · Poetics · Poetry · Translation (biology · History · Translation Studies and Practices
| Citations per year | 0.11 |
|---|---|
| Citation span | 2017 - 2017 (1) |
| Highly cited | No |